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Effinger, Maria and Kohle, Hubertus (Eds.): Die Zukunft des kunsthistorischen Publizierens, Heidelberg: arthistoricum.net-ART-Books, 2021. https://doi.org/10.11588/arthistoricum.663

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https://doi.org/10.11588/arthistoricum.663
ISBN 978-3-948466-73-2 (PDF)
ISBN 978-3-948466-74-9 (Softcover)

Published

03/26/2021

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Authors

Maria Effinger (Ed.), Hubertus Kohle (Ed.)

Die Zukunft des kunsthistorischen Publizierens

Scientific publishing is in a state of upheaval, and no one can avoid the universal game changer that is digital. It is highly doubtful whether the printed book will be the standard model in this field in the future. Instead, the internet offers itself as an extremely flexible medium, which clearly offers both added value and a common method of reception. The many possibilities that digital publishing opens-up are examined in this volume, in a series of 14 essays from an art historical perspective.

The proceedings are published not only as a PDF e-book, HTML version and print-on-demand edition, but also as an XML version enriched with standards data tagging.

Maria Effinger is Head of Publication Services at Heidelberg University Library, Managing Director of Heidelberg University Publishing (heiUP), subject specialist for art history (arthistoricum.net), co-spokesperson NFDI4Culture. Main focus: Electronic publishing in open access, digital editions, cultural heritage and digital humanities.
https://orcid.org/0000-0001-6396-4876

Hubertus Kohle is an art historian at the LMU Munich and works primarily on German and French art from the 18th to the early 20th century.
https://orcid.org/0000-0003-3162-1304

Christof Schöch is a digital humanities scholar and Romance scholar. Research interests: Computational literary studies incl. building digital resources, data indexing, quantitative text analysis; French literature; Open Science.
https://orcid.org/0000-0002-4557-2753

Johannes Grave is an art historian and university lecturer. Main research interests: Temporality of the image and image reception; practices of comparison; art, art theory and art history around 1800; Italian painting of the early Renaissance; French painting of the 17th to 19th centuries.
https://orcid.org/0000-0003-0106-6522

Wolfgang Ullrich is a cultural scientist and freelance author. Research focus: History and criticism of the concept of art, sociology of images, consumer theory.
https://orcid.org/0000-0002-8308-163X

Christian Gries is an art historian and media developer. Main areas of work: Digitisation, digital strategies, audience development and outreach.
https://orcid.org/0000-0003-4186-3614

Bernd Kulawik is a freelance architecture and music historian and IT project developer. Main areas of work: Renaissance architecture and reception of antiquities, Italian music around 1600, Nietzsche, digital humanities and, in particular, long-term data security.
https://orcid.org/0000-0002-2083-6118

Grischka Petri is an art historian and lawyer. Research focus: 19th century art, history of art in Great Britain, printmaking, copyright history, historical art market research, art law, iconology of the Elasmobranchii.
https://orcid.org/0000-0002-2548-449X

Anne Helmreich is Associate Director at the Getty Foundation, art historian. Research interests: History of the art market, provenance research, art and science, nineteenth-century visual culture, digital art history.
https://orcid.org/0000-0003-3026-988X

Claudie Paye is a historian and research assistant at the university library of the LMU Munich. Research interests: Open access publishing, political communication in the Napoleonic era, digital humanities
https://orcid.org/0000-0001-8759-8575

Andrea Lermer is an art historian and academic editor, since 2016 Managing Editor of the RIHA Journal, the e-Journal of the International Association of Research Institutes in the History of Art.
https://orcid.org/0000-0002-3206-4418

Pipa Neumann is a business economist and art historian, former Editorial Director Arts, Walter de Gruyter publishing house / Deutscher Kunstverlag.

Christine Tauber is editor in charge of the Kunstchronik in the research department of the Zentralinstitut für Kunstgeschichte (Central Institute for Art History) and a university lecturer at the LMU in Munich. Main research interests: French art of the early modern period and the 19th century.
https://orcid.org/0000-0001-8565-6997

Matteo Burioni, Head of the Munich Departement of the Corpus der barocken Deckenmalerei in Deutschland (Corpus of Baroque Ceiling Painting in Germany), Ludwig Maximilian University of Munich. Research focus: History of Art and Architecture in Italy.
https://orcid.org/0000-0002-6891-885X

Wolfgang Kemp is an art historian and emeritus professor at the University of Hamburg. Main research interests: History and theory of photography, narratology, reception aesthetics.

Frank Krabbes is a publishing producer and literary scholar. He is responsible for the book and journal production at Heidelberg University Library.
https://orcid.org/0000-0002-7597-7188

Chapters

Table of Contents
Pages
PDF
HTML
Titelei
a-iv
Inhalt
v-vi
Maria Effinger, Hubertus Kohle
Einführung
1-8
Theorie
Johannes Grave
Reichtum oder Wildwuchs?
Über einige Entwicklungen in der kunsthistorischen Publikationslandschaft und die Rolle der Zeitschriften
11-28
Wolfgang Ullrich
Publizieren, um – nicht – gelesen zu werden?
29-37
Christian Gries
Living Documents statt totes Holz
Alternative Publikationsformen im Kontext der Digital Literacy
39-50
Bernd Kulawik
Kathedrale oder Basar?
Überlegungen zu einer neuen IT-Infrastruktur (nicht nur) für die Digitale Kunstwissenschaft
51-64
Grischka Petri
Kunsthistorische Publikationen und Bildrechte zwischen dem BGH-Urteil zu Museumsfotos (2018) und der Umsetzung der Richtlinie (EU) 2019/790
Alte Probleme, neue Entwicklungen
65-77
Christof Schöch
Open Access für die Maschinen
79-94
Praxis
Anne Helmreich
The Museum Scholarly Catalogue in the Internet Age
97-106
Claudie Paye
Modelle des Open-Access-Publizierens an der Universitätsbibliothek der LMU München
107-116
Andrea Lermer
E-Journals in der Kunstgeschichte
Anmerkungen zur Politik des Open Access, neuen Redaktionsaufgaben und Finanzierungsfragen
117-135
Pipa Neumann
Wie es Euch gefällt
Kunstwissenschaftliches Publizieren im Verlag De Gruyter
137-143
Christine Tauber
Überlegungen zur „Kunstchronik“ und ihrer publizistischen Zukunft
145-153
Matteo Burioni
Neue Formen des kunsthistorischen Publizierens jenseits von Aufsatz und Monografie
Die Publikationsdatenbank des Corpus der barocken Deckenmalerei in Deutschland
155-169
Maria Effinger, Frank Krabbes
Making-of: Die „Zukunft des kunsthistorischen Publizierens” als Experimentierfeld
171-188
Wolfgang Kemp
Medienrevolution und Kunstwissenschaft
Unter und vor dem Einfluss der Digitalisierung
189-220
Über die Autorinnen und Autoren
221-223
Schlagwortregister
Index of Keywords

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