How to Cite

Allahvery, Atreju et al. (Eds.): Wiener Moderne International: Export & Experiment in der Architektur der Jahrhundertwende, Heidelberg: arthistoricum.net-ART-Books, 2024. https://doi.org/10.11588/arthistoricum.1434

Identifiers

ISBN 978-3-98501-268-8 (PDF)

Published

10/02/2024
The printed publication was published in 2024 by IVA-ICRA Verlag, Vienna. ISBN: 978-3-900265-65-6

Authors

Atreju Allahvery (Ed.), Anna Brettl (Ed.), Theresa Knosp (Ed.), Thomas Moser (Ed.), Sabine Plakolm-Forsthuber (Ed.)

Wiener Moderne International

Export & Experiment in der Architektur der Jahrhundertwende

Architecture and art from around 1900 have dominated the perception of Vienna for the past five decades. The modernist experiment is still clearly inscribed in the cityscape today, in contrast to the migration and mobility of the architects, which often remain obscured. Wiener Moderne International sheds light on the complex exchange of knowledge and actors who shaped Viennese turn-of-the-century architecture and exported it throughout the Austro-Hungarian Empire and beyond.

Atreju Allahverdy studied art history and media studies in Marburg and is a research assistant at the Bavarian State Office for the Preservation of Monuments.

Anna Brettl studied architecture at the TU Vienna and the RWTH in Aachen and currently works at the Federal Monuments Office in Linz.

Theresa Knosp studied art history and architecture in Vienna. She is working as university assistant at the Research Unit Art History at TU Wien.

Thomas Moser studied art history, philosophy, and architecture in Munich, Vienna, and Wien. He holds the position of university assistant at the Research Unit Art History at the TU Vienna.

Sabine Plakolm-Forsthuber studied art history and Italian in Vienna and Perugia. She teaches and researches as an associate professor in the Art History Research Unit at the TU Wien and also holds a lectureship at the University of Vienna.

Chapters

Table of Contents
Pages
PDF
Titelei
Inhalt
Thomas Moser
Soziodiverse Austauschprozesse in der Wiener Baukultur seit dem 19. Jahrhundert
7-16
Thomas Moser
Heinrich Ferstels Palazzo del Lloyd in Triest zwischen Erbe Venedigs, Globaltourismus und Irredentismo
17-50
Dominik Vukoja
Emilio Ambrosinis Bauten am Korzo in Rijeka
51-64
Sabine Plakolm-Forsthuber
Ein Dokument des slowenischen Nationalstils?
65-84
Anna Brettl
Das Etablissement Parisiana von Béla Lajta und seine Sonderstellung in der ungarischen Architektur nach 1900
85-106
Anna-Marie Kroupová
Aufstieg des Mánes-Vereins zur führenden tschechischen modernistischen Kraft am Beispiel des Ausstellungsdesigns (1898–1907)
107-136
Atreju Allahvery
Konstruktion, künstlerische Gestaltung und Konnotation im modernen Brückenbau der Doppelmonarchie zur Jahrhundertwende
137-177
178-182
187-190
262-265
Anhang
285-301

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