How to Cite

Fromm, Karen et al. (Eds.): image/con/text: Dokumentarische Praktiken zwischen Journalismus, Kunst und Aktivismus, Heidelberg: arthistoricum.net-ART-Books, 2020. https://doi.org/10.11588/arthistoricum.674

License

Free access – all rights reserved
Free access – all rights reserved

Identifiers

https://doi.org/10.11588/arthistoricum.674
ISBN 978-3-948466-32-9 (PDF)

Published

10/05/2020
The printed publication was published in 2020 by Dietrich Reimer Verlag. ISBN: 9783496016465

Downloads

Download book (PDF/358MB)
Statistic

Authors

Karen Fromm (Ed.), Sophia Greiff (Ed.), Malte Radtki (Ed.), Anna Stemmler (Ed.)

image/con/text

Dokumentarische Praktiken zwischen Journalismus, Kunst und Aktivismus

New journalistic and artistic narrative forms generate new perspectives for photojournalism and documentary photography, stretching and transcending the conventional bounds of the documentary form. This is seen very clearly in the medium of the photo book, but also in film, multimedia and the comic genre. Works building on a complementarity of evidence highlight the contextuality of photography, demonstrating how meaning can only be comprehended through a complex interplay of image, text and document. The strategies examined in this volume bring together journalistic, artistic and activist positions, weaving fact and fiction to reveal the constellations of power in the process of representation.

Chapters

Table of Contents
Pages
PDF
Titelei
Inhaltsverzeichnis / Content
Karen Fromm, Sophia Greiff, Malte Radtki, Anna Stemmler
image/con/text
Dokumentarische Praktiken zwischen Journalismus, Kunst und Aktivismus
6-16
Karen Fromm, Sophia Greiff, Malte Radtki, Anna Stemmler
image/con/text
Documentary Practices Between Journalism, Art and Activism
17-25
Eva Leitolf
Deutsche Bilder – eine Spurensuche, 2006–2008
26-33
Eva Leitolf, Florian Sturm
Bilder wie leere Bühnen
34-41
Karen Fromm
„Context matters”
Bild und Text bei Allan Sekula und Martha Rosler
42-67
Thomas Helbig
„Image et parole”
Szenarien der Wort- und Bildkritik in den Filmen Jean-Luc Godards seit 1968
68-95
Alisha Sett
The Borrowed Archive
Collaborative Practices of the Kashmir Photo Collective
96-105
Crofton Black, Edmund Clark
Negative Publicity: Artefacts of Extraordinary Rendition
106-121
Edmund Clark, Sophia Greiff
Bending the Screen
122-135
Laia Abril
On Abortion
And the Repercussions of Lack of Access
136-149
Laia Abril, Sophia Greiff
Beneath the Surface
150-161
Anja Schürmann
Show, don’t tell? Research-based Fotobücher von Laia Abril, Christian Patterson und Regine Petersen
162-181
Regine Petersen
Find a Fallen Star
182-195
Susanne von Falkenhausen
The Documentary between Art and Activism
Angela Melitopoulos
196-210
Peter Puklus
The Epic Love Story of a Warrior
211-221
Malte Radtki
Kollektive Fragmente
Peter Puklus’ The Epic Love Story of a Warrior
222-247
Joan Fontcuberta
Photographs, Words and the Noise in-between
248-262
Max Pinckers
Margins of Excess
263-271
Anna Stemmler
Found in Translation
Spielräume des Überschusses im Dokumentarischen
272-290
Friedrich Weltzien
Paratexte
Medienvielfalt und die Inszenierung des Wirklichen im Fotocomic
291-313
Fred Ritchin
Image/Text/Hypertext
314-331
Literaturverzeichnis/Bibliography
332-339
Abbildungsverzeichnis/Image Credits
340-345
Autor*innen/Authors
346-350
Image Matters/Impressum/Imprint

Comments