Cover EVA Band 28

Zitationsvorschlag

Bienert, Andreas, Emenlauer-Blömers, Eva und Lengyel, Dominik (Hrsg.): EVA Berlin 2025. Electronic Media and Visual Arts: 28th Issue of the EVA Berlin Conference, Heidelberg: arthistoricum.net, 2025 (EVA Berlin, Band 28). https://doi.org/10.11588/arthistoricum.1568

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Creative Commons License

Dieses Werk steht unter der Lizenz Creative Commons Namensnennung - Weitergabe unter gleichen Bedingungen 4.0 International.

Identifier

https://doi.org/10.11588/arthistoricum.1568
ISBN 978-3-98501-333-3 (PDF)

Veröffentlicht

10.12.2025

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Statistik

Autor/innen

Andreas Bienert (Hrsg.), Eva Emenlauer-Blömers (Hrsg.), Dominik Lengyel (Hrsg.)

EVA Berlin 2025. Electronic Media and Visual Arts

28th Issue of the EVA Berlin Conference

EVA Berlin

Die 28. EVA Berlin Konferenz befasst sich mit den aktuellen disruptiven Veränderungen in Kultur und Digitalisierung. Zu den behandelten Themen gehören der Aufstieg der künstlichen Intelligenz, digitale Projekte im Kultursektor, webbasierte Forschung, Kommunikationskooperationen sowie Informationstechnologie und Multimedia-Dienste für Bibliotheken, Archive, Museen und Einrichtungen der darstellenden Künste. Seit 1994 ist die Berliner Veranstaltung Teil des internationalen EVA-Konferenznetzwerks, zu dem auch Veranstaltungsorte in London, Florenz und Paris gehören. Sie dient als Plattform für einen breiten internationalen Austausch und europäische Zusammenarbeit.

Andreas Bienert: ehem. Staatliche Museen zu Berlin

Eva Emenlauer-Blömers: ehem. Berliner Senatsverwaltung für Wirtschaft, Technologie und Forschung, Projekt Zukunft

Dominik Lengyel: Universitätsprofessor und Lehrstuhlinhaber für Architektur und Visualisierung an der BTU Universität

Kapitel

Inhaltsverzeichnis
Seiten
PDF
Front Matter
Table of Content
3-6
Day 1 "AI and the Arts"
Session I “Generative Identities”
Matilde Gardini, Cristiana Bartolomei
From Concept to Reality
Analyzing the Role of AI in Architectural Visualization and Design
10-20
Katharina Weinstock
Memory, Ghosts and Trauma
AI-Generated Photorealism Beyond the Deepfake
21-22
Abigail Rekas, Xinpeng Liu
Authorship and AI – Considering the Copyright Protection of AI-Generated Materials
23-31
Session II “CH between Draft and Signature”
Ilan Manouach
Generative Palimpsests
The Feature Space of Synthetic Comics
33-34
Mar Morosse
Artificial Intelligence and Art History
Exploring New Dimensions in Cultural Analysis
35-44
Julio Velasco
AI in Artistic Creation
Tool, Gadget, or Aesthetic (R)Evolution. Text-Image Platforms
45-53
Sofia Menconero, Leonardo Baglioni
AI and Landscape Painting
Perspective and Augmented Reality in Perugino’s Annunciazione Ranieri
54-63
Session III “Connected to the Machine”
Isabelle Hamm
Generative AI and Art Mediation
Exploring Personalization, Participation, and Shared Experiences
65-70
Slawomir Nikiel
Concept Art Design and Generative Artificial Intelligence
71-76
Brian Eschrich, Robert Fischer, Maria Matthes, Kelsang Mende, Monika Reich
Exploring Virtual Reality in an Exhibition Context
77-82
Karam Al-Janabi, Hendrik Appel, Brian Eschrich, Robert Fischer, Monika Reich
Discussing AI with AI – Interacting with a Chatbot System
83-88
Day II “CH Digitally Formatted”
Session I “Memory Twins I”
Marinos Ioannides, Elena Karittevli, Panayiotis Panayiotou, Drew Baker
Beyond Digital Twins
Introducing the Memory Twin for Cultural Heritage
91-97
Chu Yin-hua
Digital Ghosts
Flusser, Vampyroteuthis and Li Yi-Fan’s Virtual Memories
98-100
Zijing Song, Christian Wagner
The Virtual Time Machine
An Artistic Exploration with Generative Artificial Intelligence in Heritage Practices
101-107
Andrea de Polo Saibanti, Matthias Ronge, Frank Ulrich Weber
Using Kitodo for Digitizing your Resources
108-111
Session II “Memory Twins II”
Daniel Johannes Meyer, Steffen Günther, Laura Magdaleno Amaro, Arne Finn, Thomas Koch, Christian Weißig
Tohyve
Walkable 360° Videos for Hybrid Formats
113-115
Alessandro Basso, Caterina Palestini, Giovanni Rasetti, Maurizio Perticarini
D(A)Nte’s (I)Nferno
Rappresentazione Dell’inferno Dantesco Attraverso Tecniche Di Disegno Integrato A.I. E Parametrico.
116-127
Tina Schneider, Jasper Funk-Smit, Jens Dobberthin
Transformation Of a Dor Beetle – From a Scientific Collection Object to a Multimedia, Hybrid, Interactive and Barrier-Free Experience
128-132
Session III “On Display – Experiencing the New Museum”
Ulf Beyschlag
Mobile Museum
134
Francesca Fatta, Maria Milano, Jan Piechota, Paola Raffa, Ewa Satalecka
From Museum to Theatre Digital Humanities
Tools Towards Inclusive and Cultural Fruition
135-142
Roberta Spallone, Chiara Teolato, Michele Russo, Marco Vitali, Valerio Palma, Enrico Pupi, Martina Rinascimento
Visualising Piffetti’s Library in Villa Della Regina Museum
an Interdisciplinary Digital Project for Knowledge Accessibility
143-152
Nele Schröder-Griebel, Manuel Hunziker, Daniel Haselbeck, Ekin Çelebi, David A. Plecher, Andrea Schmölder-Veit
Augmented Reality as a Mediation Tool in the Munich Museum of Casts
Methods and Potentials for an Interactive Museum Experience
153-161
Joachim Bauer
Keyspeach
162-165
Session IV “CH In Conversation”
Thomas Weibel
The Antikythera Mechanism
Data Visualization by Means of Web-Based Virtual Reality
167-170
Riccardo Rapparini
Broadcasting Architecture in the Age of New Media
Innovative Tools for Changing Times
171-178
Laura Farroni, Matteo Flavio Mancini
Data Transformation for Narratives Context
From Scientific Research to Communication
179-187
Francesco Stilo, Lorella Pizzonia
The Famedio by Leone Savoja at the Monumetal Cemetery of Messina
188-194
Day III “Hybride Realities”
Session I “Knowledge Architectures”
Domenic Städtler
Authority Files for Search and Filter Options in the German Digital Library
197-202
Angela Kailus, Stephanie Götsch
Minimum Record Recommendation for Museums and Collections
203-210
Frithjof Schwartz, Björn Böhme
Virtual Models in First-Person Perspectives
A Development Towards Comparative Perception.
211-214
Daniele Colistra, Marinella Arena, Domenico Mediati
From Landscape to Fragment
Survey, Analysis, Digital Dissemination for The Cultural Industry
215-223
Session II “Digitally Reproduced”
Enrico Pupi, Piergiuseppe Rechichi
Optimizing Inference Conditioning Techniques in Image Generation for Participatory Urban Transformation
225-235
Lisa Pfeiffer, Margot Belot, Alexander Bertram, Romy Campe, Jakob Müller, Bernhard Schurian, Joachim Snellings, Eran Wolff, Frederik Berger
ELIO
Innovations in Object Digitization and Business Models in the Cultural Sector
236-240
Ruth Reiche
Grimm4Geeks
Art Meets Digital Humanities or an Exploratory Approach to Artistic Data Visualization Using the Example of the Children’s and Household Tales of the Brothers Grimm
241-246
Nele Schröder-Griebel, Nicola Lercari, Dario Calderone, Mina Yacoub
Reproducing a Masterpiece
Laocoon: Molds, Plaster Casts, 3D Models
247-253
Session III “What’s on in Berlin”
Benjamin Feder, Arne Finn, Paula Sophie Lorenz, Laura Magdaleno Amaro, Thomas Koch, Christian Weißig
DomeConnect – Interactive Live-Streaming Between Immersive Spaces
255-257
Andreas Bienert
SHIFT
MetamorphoSis of cultural Heritage Into augmented hypermedia assets For enhanced accessibiliTy and inclusion
258-261
Dominik Lengyel, Lyubov Dimova
The New Tactile Model of Pergamon for Berlin
262-264
Jacopo Spinelli, Dominik Lengyel
The Visual Identity of a Conference between Science, Art, Museums and Technology
265-268
“AI and the Arts” Progam EVA Berlin 2025
Conference Day I
269-275
Impressum
276

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