arthistoricum.net-ART-Books

Kilian Heck is professor of general art history at the Caspar David Friedrich Institute, University of Greifswald. One of his main fields of research is the architec-tural heritage of the Baltic basin, in particular manor architecture. He also studies Romantic-era painting
https://orcid.org/0000-0001-6683-361X

Aleksandra Lipińska is substitute professor of Early Modern art at the Art History Institute if the University of Cologne. Her research fields include the art of East-Central Europe, in particular aspects of the cultural transfer between this macro-region and other artscapes in Europe, as well as history of art history of this region. She also studies Netherlandish art and the materiality of art.
https://orcid.org/0000-0003-1883-8912

Katja Bernhardt is an art and image historian and research assistant at the Nordost-Institut, Lüneburg. Alongside the historiography of art history, her main research interests are the historical analysis of architecture and the urban space, and the visual history of Eastern and East-Central Europe with particular reference to Poland.
https://orcid.org/0000-0002-9030-5996

Timo Hagen obtained his PhD 2016 at the University of Heidelberg. He is a academic councilor at the Institute of Art History at the Rheinische Friedrich-Wilhelms-Universität in Bonn. His research includes the art and cultural history of Central and Southeastern Europe in the 19th and 20th centuries with a focus on the architecture of the Habsburg Empire, the history of art history in the 19th and 20th centuries, and the theory and history of monument conservation.
https://orcid.org/0000-0002-3320-5497

Robert Born is an art historian and since September 2021 a research assistant at the Federal Institute for Culture and History of the Germans in Eastern Europe in Oldenburg. Among his key research areas are the cultural contacts between the Ottoman Orient and East-Central Europe, art historiography in East-Central and south-eastern Europe from the 18th to the 20th century, and Baroque art in East-Central and south-eastern Europe.
https://orcid.org/0000-0003-3491-8680

Mateusz Kapustka studied art history and philosophy. Since 2016 he has been visiting lecturer at the Institute of Art History, University of Zurich, and in the 2022/2023 academic year he is deputy professor of eastern European art history at the Humboldt University in Berlin. His research areas include iconographic con-flicts and historical evidence constructions, anachronism and the afterlife of images, image propaganda of power, exclusion and alienness (from the Middle Ages until the 18th century), and transcultural aspects of historical image concepts.

Anje Kempe is an art and image scholar at the University of Greifswald, where she works at the Interdisciplinary Centre for Baltic Sea Region Research (IFZO) on a project about divided heritage. Among her research areas are ecological art history with a particular focus on garden and landscape architecture and related artistic practices, analysis of memorial cultures in northern and eastern Europe, and art historiography.

Beate Störtkuhl is an art historian and research coordinator at the Federal Institute for Culture and History of the Germans in Eastern Europe in Oldenburg, and private lecturer at the Carl von Ossietzky Universität. Her key research fields are Informationen über die Autor:innen/Information about the authors the architectural history of the 20th century, particularly in East-Central Europe, and the history of aesthetics and monument conservation.

Svitlana Smolenska is a professor in the Department of Architecture and Urbanism at the private Kharkiv School of Architecture. She is an expert of ISC20C and a member of ICOMOS in Ukraine. Her scholarly interests include history and theories of 20th century architecture, urbanism and landscaping in Ukraine and the wider Europe, urban environment research methods, and public participation in urban planning.
https://orcid.org/0000-0002-4953-9563

Veronika Skip is a Ph.D. student at the Faculty of History and Art at the Ludwig-Maximilians-Universität in Munich under the supervision of Prof. Dr. Aleksandra Lipińska. She completed her Master’s degree in Art History at the Ludwig-Maximilians-Universität Munich. She acquired her Bachelor’s and Master’s degrees in Art and Cultural Studies at the Ivan Franko National University in Lviv.
https://orcid.org/0000-0003-3545-5868

Paweł Leszkowicz is a professor and the head of Modern and Contemporary Art at the Department of Art History, Adam Mickiewicz University, Poznań, Poland. Aside from his academic interests in LGBTQI+ studies and international modern and contemporary art and visual culture, he is also a freelance curator. In 2021 – 2022 he is a visiting scholar at the Center for Transdisciplinary Gender Studies (ZtG) at Humboldt Universität zu Berlin.
https://orcid.org/0000-0002-3087-170X

Marta Smolińska is professor and Head of the Department of Art History and Philosophy at the Magdalena Abakanowicz University of Arts in Poznań (Poland). She is also a curator and art critic. Her research areas include border art, extended haptics, non-representational painting of the later 20th century, transmediality, curatorial strategies, and Turkish contemporary art.
https://orcid.org/0000-0002-1850-1941

Marianna Levytska ist eine proaktive Forscherin und Dozentin mit mehr als 15 Jahren Erfahrung auf dem Gebiet der kunsthistorischen Forschung sowie Lehre in Grund- und Aufbaustudiengängen. Sie erwarb ihren M. A. (1997) und ihren Doktortitel an der Nationalen Kunstakademie in Lviv (2003). Ihr Spezialgebiet ist die mittel- und osteuropäische (ukrainische und polnische) Kunst des 19. Jahrhunderts in der Habsburger Monarchie. Ihr besonderes Interesse gilt der postkolonialen Kunstgeschichte und den Prozessen der nationalen Identitätsbildung bei nicht-staatlichen ethnischen Gruppen. Ihre primäre Forschung konzentrierte sich auf die memorialen und malerischen Besonderheiten der ukrainischen Porträtmalerei (Dissertation). Ihre aktuelle Forschung konzentriert sich auf die Umgestaltung der sakralen Räume der ukrainischen Sprache.
https://orcid.org/0000-0002-0977-4470