How to Cite

Cordez, Philippe (Ed.): Art médiéval et médiévalisme, Heidelberg: arthistoricum.net, 2024 (Passages online, Volume 9). https://doi.org/10.11588/arthistoricum.732

Identifiers

ISBN 978-3-948466-55-8 (PDF)
ISBN 978-3-948466-56-5 (Hardcover)

Published

11/27/2024

Authors

Philippe Cordez (Ed.)

Art médiéval et médiévalisme

The ‘Middle Ages’ is a recent and shifting creation, at once a stratified historiographical elaboration and an appreciation of historical objects in the present. What we know and imagine shapes our perception. Studying the medieval arts therefore requires us to study medievalisms, and vice versa.
This volume, the result of work carried out in 2015/2016 at the German Centre for Art History in Paris, brings together fifteen studies on medieval artefacts and their subsequent history, up to the present day. They are accompanied by a review of German-language studies of medieval art in France since 1933.

Philippe Cordez studied art history, history, anthropology and museology at the École du Louvre, the École des Hautes Études en Sciences Sociales and the Humboldt University in Berlin. He has been a scholar and a teacher in Hamburg, Florence, Montreal and headed the international research group ‘Pre-Modern Objects. An Archaeology of Experience’ at the Ludwig Maximilian University of Munich. Deputy Director of the German Centre for Art History in Paris from 2018 to 2023, he is now Deputy Director of the Museum Studies and Research Support Department of the Louvre Museum.

Chapters

Table of Contents
Pages
PDF
Feuilles de titre
Sommaire
Thomas Kirchner
une année au Centre allemand d’histoire de l’art (2015/2016)
11-14
Philippe Cordez
Art médiéval et médiévalisme
15-17
Philippe Cordez
Histoires d’une exposition
34-55
Martin Schwarz
The Petit-Pont and the Public Performance of Learning in 12th-century Paris
56-71
Lukas Huppertz
Zum programmatischen Zusammenhang des Weltgerichts- und des Lokalheiligenportals an der Nordquerhausfassade der Kathedrale von Reims
72-93
Stephanie Luther
On the Lost Frieze of Marienhafe (East Frisia, 13th Century)
94-113
Kathrin Müller
Italian Silks of the 14th and 15th Centuries and Their Imagery
114-133
Assaf Pinkus
Roland Statues in Late Medieval Germany
134-153
Andrew Murray
Sculptural Creativity within a Web of Networks
154-179
Frédéric Elsig
remarques historiographiques et méthodologiques à propos de la peinture dans le duché de Savoie à la fin du Moyen Âge
180-189
Iris Grötecke
Konzeptwechsel in der Erforschung Meister Franckes zwischen 1880 und 1940
190-217
Nina Reiss
Herrschaftsrepräsentation als kommerzielle Produktion zwischen Paris und Tournai im späten 15. Jahrhundert
218-239
Susanne Wittekind
Mittelalterliche Evangeliare in frühneuzeitlichen Einbänden
240-261
Eveline Deneer
François-Marius Granet, Rome, and the Vogue of Historicist Interior Views in Early 19th-century Europe
262-277
Judith Soria
Les premiers mois du byzantiniste Jean Ebersolt à Constantinople (1907-1908)
278-295
Philippe Cordez
Les études germanophones sur l’art médiéval en France depuis 1933
324-447
Crédits
449-451

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