How to Cite

Stanke, Gerd, Bienert, Andreas and Hemsley, James (Eds.): Konferenzband EVA 2005 Berlin. Elektronische Bildverarbeitung & Kunst, Kultur, Historie: Die 12. Berliner Veranstaltung der internationalen EVA-Serie Electronic Imaging & the Visual Arts, Heidelberg: arthistoricum.net, 2018 (EVA Berlin, Volume 12). https://doi.org/10.11588/arthistoricum.176.226

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Identifiers

https://doi.org/10.11588/arthistoricum.176.226
ISBN 978-3-946653-39-4 (PDF)

Published

07/16/2018
The original publication was published in 2005 by the Ges. zur Förderung Angewandter Informatik Berlin, ISBN 978-3-9809212-3-7.

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Authors

Gerd Stanke (Ed.), Andreas Bienert (Ed.), James Hemsley (Ed.)

Konferenzband EVA 2005 Berlin. Elektronische Bildverarbeitung & Kunst, Kultur, Historie

Die 12. Berliner Veranstaltung der internationalen EVA-Serie Electronic Imaging & the Visual Arts

EVA Berlin

  

Chapters

Table of Contents
Pages
PDF
Titel
Inhaltsverzeichnis
James Hemsley, Andreas Bienert, Gerd Stanke
Vorwort
Die EVA 2005 Berlin im Uberblick
Programm
Andreas Bienert
Der Erfasser ist anwesend: Precision und Recall bei der Recherche nach Bildinhalten
1
Christian Bracht
Mengen verbinden: Bilderschließung im Verbund - alternatives Retrieval
2-3
Stefan Heidenreich
Locative Media: geo-referenced images
4-8
Viola König, Anja Zenner
Insights into the Lives of Strangers: The Evaluation of Photographs at the Ethnographic Museum
9-11
Angela Kailus
The Canon of Motifs: lconographic Indexing with lconclass
12-13
Jörn Sieglerschmidt
Norm and Form: Cataloguing of works of art with the subject headings of the German National Library?
Examples of work from the Library Service Centre Baden-Württemberg
14-18
Hanns-Peter Frentz
Visual Libraries - Customer Orientation of Commercial Picture Databases
19-21
Dorothee Haffner
Im Kegel des Projektors: Digitale Diatheken
22-24
Heizo Schulze
Typemovies - interactive film
25
Stefan Göbel
Knowledge Media Design for Museums
26
Petra Nietzky
Dramaturgy, Narration, Digital Scenography - Criteria for a Successful On-Iine Education
27-32
Andreas Teufel
Von der Karteikarte bis zum Minicomputer - Vergangenheit, Gegenwart und Zukunft digitaler Informationssammlung
33-34
Markus Blanchebarbe
Information Transfer with Multi-Media Guidance Systems
35-36
Götz Mackensen
The Economy of Multi-Media Installations
The Match of CMS and PDA in the Overseas Museum Bremen
37-41
Helma M. Schröder
Acceptance of Multimedia Guides - Results of a Visitors Surve
42-44
Joachim Brand
175 Jahre Staatliche Museen zu Berlin
Dokumentation zwischen Verzeichnungskunst und Datenbank
45-51
Harald Krämer
Artcampus or Experiences of Teaching Art History Online
52-56
Ulrike Andres, Stefan Geiser
Optimierung der Kommunikationsarbeit von Museen am Beispiel des DTMB
Pilotprojekt zur Entwicklung von Tools zur Verwaltung und Verwertung von Bild- und Textbeständen
57-60
Roland Syndicus
Interactive displays for museums and exhibitions
61-66
Valentin Spiess, Anna Pfeiffer
Smart Information Periphery®
Multimedia intermediation of the future
67-73
Georg Horstkemper
Zugang verweigert? Neue Wege für den Einzelnutzer-Zugriff auf geisteswissenschaftliche Fachdatenbanken
74-76
Wolfgang Müller-Kaufmann
Digitization
Latest Hard- and Software Developments Influence Workflows
77-83
Horst Bermpohl
Services or buying own 3D Scanning Devices OPTIX 400?
84-86
Jürgen Häberle
Digitalisation of glass negatives
87-90
Tobias Möller-Wallsdorf
OPAL - Lower Saxony Culture Server
91-93
Michael Baumgartner, Sergio Gregorio, Rudolf Gschwind
The digital Paul Klee - a case study
94-98
Anita Rieche
Verlust von Wissen - Virtuelle Rekonstruktionen antiker Architektur
99-102
Karsten Knothe, Wolfgang Peschel
Digital photogrammetric surveying on the example of an architectural monument
103-107
Karsten Semmer, Ulrike Stenzel
The silver Unguentarium from the Collection of Classical Antiquities of Berlin (Antikensammlung) - Virtual reconstruction by means of 3D technology
108-114
Christine Schöne, Steffen Schreiber, Christiane Rehm
The Golden City Hall Man - 3D-Scanning and Reverse Engineering
115-120
Julia Wallmüller, Martin Koerber
Criteria for the Digital Treatment of Moving Images in Restoration
121-130
Sandra Manhartseder, Bernhard Angerer
LIQUID - holistic knowledge installations
131-133
Monika Hagedorn-Saupe, Axel Ermert
EUBAM - MINERVA
European Cooperation in the Digitisation of Cultural Heritage
134-135
Stefan Göbel, Felicitas Becker
INSCAPE - Interactive Storytelling for Creative People
136-141
Hynek Bakstein, Federico Diaz, Tomáš Pajdla
A Window into Reality
142-147
Jana Wisniewski
Photography in Motion
148-150
Christian Halbach
Mobile city guide for locating and using tourist and cultural attractions
151-157
Sławomir Nikiel
VR for stratigraphy of architectural artefacts
158-161
Jeanna Nikolov-Ramirez Gaviria
Image-Management - Image Assets. Practice and perspectives of a new educational program and career
162-167
Simon Margulies, Ivan Subotic, Lukas Rosenthaler
Long-term archiving of digital data DISTributed ARchiving NETwork - DISTARNET
168-174
Stephanie Kroll, Wolf Rudolph
DIMO ENKYKLOPAEDIA
A Model for a Knowledgebase The Test-Case of the Dimos Kranidi, Greece
175-179
Christin Hoepfner, Jürgen Sieck, Philipp Weyrich
Information technology fundamentals for the mobile information system Dimo Enkyklopaedia
180-187
Andriy A. Kryuchyn, Viacheslav V. Petrov, I. O. Kossko, Semen Shanoylo
The technology of manufacturing carriers for long-term storage of the information in a digital form
188-189
Benedetto Benedetti, Maria Emilia Masci
New Approaches in the Treatment of Digital Libraries of Monumental and Archaeological Settings to be Implemented in Official Web Sites
A Case Study for the Portal of Italian Culture for the Ministry of Cultural Heritage
190-194
René Thomas
DigiTool
Develop Your Institutional Repository
195-196
Wolfgang Müller-Kaufmann
archive.it
Informationstechnologie für Archive, Museen, Mediendatenbanken
197-198
Valentin Spiess, Anna Pfeiffer
Smart Information Periphery®- Multimedia intermediation systems
199-201
Anja Hoffmann, Ido Iurgel, Daniel Ullrich, Marc Hassenzahl
art-E-fact- Elucidating Encounters with Art in Mixed Reality
202-205
Oliver Michel
Mixed-Reality Presentation Technologies for Science-Centers, Museums and Exhibitions
206-208
Adlib Information Systems GmbH, GNF e.V.
PictureNet - Digital Image Technologies and Documentation
209-210
Horst Bermpohl
Solution for stationary and mobile 3D Scanning Devices
211-212
Stephanie Adolf, Anja Döge
3D-Measurement Technique
Efficient Workflows for Art and Cultural Assets
213-216
Christian Begand
Virtual Reconstructions of Historical Buildings
217-218
Ingo Adamski
Interactive 3D realtime visualisation of an archeological excavation including a new museum in Valencia, Spain
219-220
Haberstroh 3D-Print
Haberstroh 3D-Print
221-222
Jürgen Häberle
The “Wolfenbuttel Book Reflector” - Gentle reproduction system for old books
223-224
Stefan Geiser
Stefan Geiser Consulting
225
Oliver Gau, Barbara Kopf
Center for Visual Studies, Krems
226-227
Katja Gries
Interactivity - Synergy between the Individual and Technology
228-231
Thomas Zellmann
JPEG2000 - New file format in archiving
232-238
EVA Berlin Elektronische Bildverarbeitung & Kunst, Kultur, Historie Konferenzunterlagen
239-245
Gesellschaft zur Förderung angewandter Informatik e. V.
246
Electronic Imaging & the Visual Arts EVA-Konferenzen 2005 und 2006
247

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