Cover Passages online Band 25

How to Cite

Kluge, Dorit, Maës, Gaëtane and Pichet, Isabelle (Eds.): L’ expérience sensorielle dans les expositions d’art au XVIIIe siècle: The Sensory Experience in 18th Century Art Exhibitions, Heidelberg: arthistoricum.net-ART-Books, 2024 (Passages online, Volume 25). https://doi.org/10.11588/arthistoricum.1147

Identifiers

ISBN 978-3-98501-153-7 (PDF)
ISBN 978-3-98501-154-4 (Hardcover)

Published

10/23/2024

Authors

Dorit Kluge (Ed.), Gaëtane Maës (Ed.), Isabelle Pichet (Ed.)

L’ expérience sensorielle dans les expositions d’art au XVIIIe siècle

The Sensory Experience in 18th Century Art Exhibitions

In the 18th century, the art exhibitions organized at the Louvre in Paris by the Royal Academy of Painting and Sculpture created an unprecedented socio-cultural event, which quickly aroused curiosity and envy in the French provinces and other nations. A visit to the Salon du Louvre or any other art exhibition, where the desire to be entertained and educated, was an experience that appeals to all the senses. This makes it obvious to introduce the notion of the ‘sensory body’, since not only sight but also hearing, touch, smell and taste are called upon in a variety of and in complex ways at every moment of the visit. Through different approaches, this book aims to transcribe the experiences of visitors to art exhibitions during the long eighteenth century (1680-1815) in Europe, based on visual and textual sources, and understood in the broadest sense of the term.

Au XVIIIe siècle, les expositions d’art organisées au Louvre à Paris par l’Académie royale de Peinture et de Sculpture créent un événement socioculturel inédit, qui a rapidement suscité la curiosité et l’envie du public de province et des autres nations. La visite du Salon du Louvre ou de toute autre exposition d’art, où s’entremêlent la volonté de se divertir et celle de s’instruire, se présente alors comme une expérience où les différents sens sont sollicités. Il est alors possible d’introduire la notion de « corps sensoriel », car non seulement la vue, mais encore l’ouïe, le toucher, l’odorat et le goût sont interpelés de manière variée et complexe à tout moment de la visite. À travers différentes approches, ce livre vise à retranscrire les expériences des visiteurs des expositions d’art entendues dans leur acception la plus large durant le long XVIIIe siècle (1680-1815) en Europe en s’appuyant sur les sources visuelles et textuelles de l’époque.

Dorit Kluge studied art history, French and Italian studies at the universities of Leipzig, Metz and Pavia. Before completing her dissertation in art history, she acquired a degree in business administration.  She was Maître des Conférences at the Université Blaise Pascal in Clermont-Ferrand/France. In 2014, Dorit Kluge became Professor of Business Administration at VICTORIA International University in Berlin. Since 2018, she has also been teaching strategic management and is responsible for the Masters program “Arts and Cultural Management”, launched by the Leuphana University Lüneburg and the Goethe-Institut.

Gaëtane Maës, a university professor of modern art history, teaches in the Department of Art History and Archaeology at the University of Lille. As a researcher, she is affiliated to the Centre National de la Recherche Scientifique in the Unité Mixte de Recherche 8529-IRHiS (Institut de Recherches Historiques du Septentrion). Her research focuses on the art of the old Netherlands (Flanders and Holland) as well as on French art of the modern period, particularly with regard to the social functions of art and the relationships between art, literature and science in the 17th and 18th centuries. A central role plays her interest in methodological questions of art history.

Isabelle Pichet is Professor of Art History at the Centre Interuniversitaire de Recherche sur la Première Modernité (CIREM16/18) in the department Philosophie et des arts at the University of Québec à Trois-Rivières. Her work focuses on art and the art market in the 18th century, in particular the history of public exhibitions in Paris in the early modern period. Resulting in the two studies Le Salon de l'Académie royale de peinture et sculpture. Archéologie d'une institution, Paris, Hermann, 2014 and Le tapissier et les dispositifs discursifs au Salon (1750-1789), Paris, Hermann, 2012.

Chapters

Table of Contents
Pages
PDF
Titelei
Sommaire
Françoise Mardrus
11-14
Dorit Kluge, Gaëtane Maës, Isabelle Pichet
15-26
Dorit Kluge, Gaëtane Maës, Isabelle Pichet
27-36
Partie I
L’expérience sensorielle dans les œuvres
Partie II
L’expérience sensible dans les œuvres
Partie III
L’expérience spatiale de la visite
Partie IV
L’expérience de la critique
Résumés
254-262
Abstracts
263-268
Auteurs – Authors
269-272
Crédits
273-274

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