Schelbert, Georg
4D: Dimensionen | Disziplinen | Digitalität | Daten
20 years ago, prometheus was launched as a distributed digital image archive for art history and image-based disciplines, marking a fundamental step for the digital transformation in the respective subjects. Since then, the contours of a future digitally supported science have become clearer. The Digital Humanities are expanding the methodological field of the humanities, interdisciplinary collaboration to answer research questions is increasingly gaining acceptance, and the establishment of a National Research Data Infrastructure is laying the foundations for a science system in transition.
The 2021 anniversary conference discussed the transformation of the sciences under four perspectives (4D) and deliberately went beyond the subject boundaries of art history.
In this publication, the contributions appear successively. They are edited, have the final layout and are included unchanged in the full volume. Each early-view article receives a persistent DOI and is thus fully citable; only no pages can be given yet. Only when all articles are available will they be given page numbers. Please use the citation recommendation given in the PDF for the Early View. In addition to the e-book (PDF), a print edition will also be published.
Computing Art Reader: Einführung in die digitale Kunstgeschichte
Der Arbeitskreis Digitale Kunstgeschichte versteht sich als Netzwerk, das digitale Methoden im Fach Kunstgeschichte stärkt und gleichsam bildwissenschaftliche Forschung weitreichender in den Digital Humanities etabliert. Dazu richtet sich das Engagement des Arbeitskreises und seiner Mitglieder nicht nur auf die Weiterentwicklung digitaler Infrastrukturen und Werkzeuge, sondern auch auf die methodenkritische Vermittlung vielfältiger Ansätze digitaler Kunstgeschichte in der Lehre.
Der Computing Art Reader — Einführung in die digitale Kunstgeschichte stellt einen Schritt zur Umsetzung dieser Aufgaben dar. Studierende und Lehrende der Kunstgeschichte und der Digital Humanities erhalten einen ersten Überblick über die verschiedenen Inhalte und Institutionen der digitalen Kunstgeschichte; festgehalten durch einige der Akteurinnen und Akteure selbst. Die Texte bilden ein Mosaik aus theoretischen Essays, praxisnahen Projektbeschreibungen, Überblicken über Forschungszweige und kontroversen Positionstexten, in denen konkrete Technologien, aktuelle Diskurse und zukünftige Ziele des Teilgebiets ersichtlich werden.
Der Modelle Tugend 2.0: Digitale 3D-Rekonstruktion als virtueller Raum der architekturhistorischen Forschung
The Model Virtue 2.0 - Digital 3D-reconstruction as a virtual space of architectural-historical research understands digital 3D-reconstruction as part of interdisciplinary object-based research. In the guise of a manual, comprehensive methodologies at the interface between archaeology, art and architectural history and computer graphics and cultural informatics are presented and discussed. The central aim of the book is to illustrate the width of the current scientific debate focused on digital 3D reconstructions and to present previous traditions and developments, the current state of research and practice as well as future challenges and desiderata. Students, scientists and interested laypersons will receive a profound overview of the topic of digital 3D reconstruction in the field of architectural history. The work also offers the specialist community a solid basis and thus the point of departure for the identification of future fields of action and suggestions for further debate.
Con bella maniera: Festgabe für Peter Seiler zum 65. Geburtstag
Con bella maniera... under this motto the authors of the present volume pay tribute to the art historian Peter Seiler. Their contributions not only reflect the scholar's cross-genre and cross-epoch research interests and interdisciplinary approach, but also bear witness to friendships that have survived from all phases of his academic vita - from his student days in Heidelberg to his formative time as a fellow at the Bibliotheca Hertziana in Rome and his career at the art history institutes of Freie Universität and Humboldt-Universität zu Berlin as research assistant, associate professor, head of the Census and adjunct professor. His bella maniera transcends the art historical terminus technicus and combines the „time-honoured learnable practices“ of art history with innovative research approaches and the delicate nature of human interaction.
