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How to Cite

Schulz, Matthias and Flemming, Victoria von (Eds.): Vom Fließen der Dinge: Konzepte, Motive und Paradigmen von Fluidität aus frühneuzeitlichen und gegenwärtigen Perspektiven, Heidelberg: arthistoricum.net, 2024. https://doi.org/10.11588/arthistoricum.1450

Identifiers

ISBN 978-3-98501-276-3 (PDF)
ISBN 978-3-98501-277-0 (Softcover)

Published

12/04/2024

Authors

Matthias Schulz (Ed.), Victoria von Flemming (Ed.)

Vom Fließen der Dinge

Konzepte, Motive und Paradigmen von Fluidität aus frühneuzeitlichen und gegenwärtigen Perspektiven

The idea that the beginnings of the universe do not lie in the solid, hard, rigid, but also not simply in the opposite, the flowing and streaming, has occupied natural philosophical reflections for thousands of years. To this day, however, a binary-structured view of the world has unfolded in all its power. Impulses can already be identified in the early modern history of ideas and images that undermine the supposedly static, immobile and instead emphasise the changeable, ephemeral and dynamic. Stasis is dynamised and subjected to transformation in many different ways and in just as many different areas. The contributions in this volume present case studies from philosophical, physical, geoscientific, climatological and art scientific perspectives that bring the phenomenon within an interdisciplinary spectrum

Matthias Schulz, Dr., has been a research assistant at the Chair of Medieval Art History at Justus Liebig University in Giessen since 2021. Main areas of work and research: Italian painting of the 14th and 15th centuries (primarily Northern Italy), knowledge spaces and humanist networks in the Tre- and Quattrocento, history of motifs and ideas of pre-modern abstraction, the game of chess in the context of visual and material cultures of the European Middle Ages.

Victoria von Flemming, Prof. Dr., is Professor of Medieval and Modern Art History at the Brauschweig University of Art since 2005. Main areas of work and research: Art and art theory of the early modern period (Italy, France, Holland), photographic dispositives, theories and practices of repetition in modernity and the present, construction of gender and postcolonial approaches in the visual culture of the early modern period.

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