How to Cite

Gengnagel, Tessa: Digital Scholarly Editions Beyond Text: Modelling Art, Film, and Everything in Between, Heidelberg: arthistoricum.net-ART-Books, 2024 (Computing in Art and Architecture, Volume 5). https://doi.org/10.11588/arthistoricum.1132

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This work is licensed under a Creative Commons Attribution-NonCommercial-ShareAlike 4.0 International License.

Identifiers

https://doi.org/10.11588/arthistoricum.1132
ISBN 978-3-98501-138-4 (PDF)
ISBN 978-3-98501-139-1 (Hardcover)

Published

02/07/2024

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Authors

Tessa Gengnagel

Digital Scholarly Editions Beyond Text

Modelling Art, Film, and Everything in Between

Computing in Art and Architecture

Scholarly editions contextualize our cultural heritage. Traditionally, methodologies from the field of scholarly editing are applied to works of literature, e.g. in order to trace their genesis or present their varied history of transmission. What do we make of the variance in other types of cultural heritage? How can we describe, record, and reproduce it systematically? From medieval to modern times, from image to audiovisual media, the book traces discourses across different disciplines in order to develop a conceptual model for scholarly editions on a broader scale. By doing so, it also delves into the theory and philosophy of the (digital) humanities as such.

Tessa Gengnagel is a managing director at the Cologne Center for eHumanities (CCeH), University of Cologne. After studying History and Medieval Latin Philology in Freiburg, she completed her Master's degree in Cologne and Graz in European Multimedia Arts & Cultural Heritage Studies and her PhD in Information Processing under the supervision of Prof. Thaller. Her main research interests are the theory of digital editions as well as the history and philosophy of the digital humanities.

Chapters

Table of Contents
Pages
PDF
Front Matter
contents
preface
1-27
I introduction
of interdisciplinary considerations
28-105
II modelling as a method
in the digital humanities
106-167
III dimensions of editing
beyond the paradigm of print
168-205
IV medieval picture works
that vary in transmission
206-279
V silent films, sound films
& other matters of interest
280-359
VI the superstructure model
as a frame of reference
360-417
acknowledgments
418-422
list of figures
423-431
bibliography
432-556

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