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Sturm, Johannes: Der Violoncellist Johann Rudolph Zumsteeg und sein Werk: Sichtweisen der württembergischen Hofmusik im ausgehenden 18. Jahrhundert, Heidelberg: heiBOOKS, 2017. https://doi.org/10.11588/heibooks.313.426

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Identifiers

https://doi.org/10.11588/heibooks.313.426
ISBN 978-3-946531-74-6 (Hardcover)
ISBN 978-3-946531-73-9 (PDF)

Published

10/19/2017

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Authors

Johannes Sturm

Der Violoncellist Johann Rudolph Zumsteeg und sein Werk

Sichtweisen der württembergischen Hofmusik im ausgehenden 18. Jahrhundert

Johann Rudolph Zumsteeg (1760-1802) was one of the most eminent figures of court music during the reign of Karl Eugen of Württemberg. Therefore Zumsteeg’s personal network is examined in this in-depth study, including his cello teacher Agostino Poli, the poet und musician Christian Friedrich Daniel Schubart and Friedrich Schiller.
Using his cello music as a reference point unkown biographical aspects of Zumsteegs life are illustrated in connection with his interaction with other prominent figures all of whom represent the exciting history of court music in 18th century Württemberg.

Johannes Sturm received his PhD from the Institute of Musicology of Heidelberg University and gave several lectures at the University of Würzburg. His research focuses on the court music of Württemberg as well as Chinese music of the 20th century.

Chapters

Table of Contents
Pages
PDF
Titelei
Inhalt
v-x
Einleitung
1-2
1. Historischer Kontext
3-32
2. Biographie und Biographik Zumsteegs
33-75
3. Zumsteegs Egonetzwerk
77-107
4. Knotenpunkte in Zumsteegs Musikausbildung
109-162
5. Das kompositorische Werk
163-237
Schlussbemerkungen
239-241
Quellennachweise
243-247
Literatur
249-262
Index
263-269

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