Beiträge zur Museologie

Beiträge zur Museologie

Die von ICOM Deutschland herausgegebene Schriftenreihe "Beiträge zur Museologie" erscheint seit 2010 in unregelmäßigen Abständen. Ab Band 7 wird neben der Print-Ausgabe auch eine Online-Version im Open Access über arthistoricum.net-ART-Books bereitgestellt. Die Bände 1 bis 6 Bände sollen sukzessive ebenfalls als Online-Version zur Verfügung gestellt werden.

Die Reihe versammelt analytische Aufsätze ebenso wie Beispiele aus der Praxis und bietet somit vielfältige Perspektiven auf die Museumsarbeit. Die Beiträge sind meist auf nationalen und internationalen Jahrestagungen von ICOM Deutschland vorgetragen und zur Diskussion gestellt worden.

Die „Beiträge zur Museologie“ richten sich an erfahrene Museumswissenschaftler und -praktiker sowie Berufseinsteiger gleichermaßen, die ihre Kenntnisse in den musealen Kernaufgaben Sammeln, Bewahren, Ausstellen und Forschen erweitern möchten. Studenten der Museumskunde erhalten einen guten Einblick in die Berufspraxis.

Bibliographic details

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ISSN
ISSN (online): 2627-6771
ISSN (Print): 2627-6526

Published so far

ICOM Germany (Ed.), Stéphanie Wintzerith (Ed.)

Museums Facing a Planetary Emergency: ICOM Germany annual conference together with ICOM Greece and ICOM Cyprus – held online on 14 November 2020

Our world is changing rapidly under the influence of human behaviour: climate change and biodiversity loss but also pandemics are just some of the most dramatic manifestations of global crises of unprecedented scope. As trusted sources of information and sites of transformative engagement, museums can and must play a role in addressing the most pressing issues of our times. How can museums respond to those crises, what new roles could our institutions play to strengthen the communities they serve? What is the role of our collections and how can they be protected from the dangers of global changes or local disasters? How should museums reinvent themselves in the face of a planetary emergency?

Interdisziplinäre Provenienzforschung zu menschlichen Überresten aus kolonialen Kontexten: Eine methodische Arbeitshilfe des Deutschen Zentrums Kulturgutverluste, des Berliner Medizinhistorischen Museums der Charité und von ICOM Deutschland

The guidelines offer a practical introduction into provenance research on human remains from colonial contexts. Though focussed on German institutions, they also give a glance at the situation in Austria. They apply to collections of human remains kept in universities and museums, mostly in the fields of anthropology, anatomy and medical history. The interdisciplinary approach combines several research methods. The guidelines provide extensive guidance for historical, anthropological and natural sciences methods of provenance research. They also explain the cross-cultural and transnational dimensions of provenance research and discuss how to document the results of the research.

ICOM Deutschland (Ed.)

Chancen und Nebenwirkungen – Museum 4.0: Jahrestagung von ICOM Deutschland, 14. bis 16. November 2019 in München. Tagungsband

The challenges of museums in the digital age are manifold, but where to begin in view of the multitude of tasks? The 2019 annual conference of ICOM Germany used interesting case studies – Museum4punkt0, NUMiD, ViSIT (University of Passau), Cadolzburg (Bavarian Palace Administration), Digital Strategy for Museums (State Office for Non-Governmental Museums in Bavaria), and many others – to discuss different perceptions of the field of digitization in cultural establishments, individual fields of action, and difficulties that often arise in museum reality. As diverse as the museums are, the twenty or so examples presented make it clear: If digitization is to be a successful sustainable opening of museums to the digital and thus extend beyond individual digital mediation offers, emphasized Julian Nida-Rümelin in the introduction, it must go hand in hand with a digital mindset and a corresponding work culture. Furthermore, a digital strategy that suits one’s own institution as well as sufficient resources and the support of the museum sponsors are important requirements.

ICOM Deutschland (Ed.), Markus Walz (Ed.)

Museum: ausreichend. Die ‚untere Grenze‘ der Museumsdefinition: Tagungsband des Internationalen Bodensee-Symposiums 2018

The quantity and diversity of museums is increasing; but what about “hard criteria” for differentiating museums and non-museums? The Austrian-German-Swiss conference “Bodensee-Symposium 2018” discussed interesting case studies of drawing this definitional line by outsourcing if the museum staff does not have certain competences, by clear renunciation of one of the five main tasks of museum work because the capacities of the museum are insufficient for realising this task, or by external assessment and certification if this institution fulfils the expected level of museum work (or not). This volume closes with reflections of the museum definition by representatives of institutions which are only similar to museums (a private art collection, university collections, a product archive of a commercial company).

ICOM Deutschland (Ed.), Deborah Tout-Smith (Ed.)

Museums, Borders and European Responsibility: One Hundred Years after the First World War

Museums are the treasure troves of cultural heritage, places of remembrance and self-assurance. But whose stories are they telling, and why? What is remembered in museums, and what is forgotten?
One hundred years after the end of the First World War, museum practitioners and scholars from Europe and beyond reflect anew on the impacts of the war. They consider the central role museums play in the accurate and authentic representation of war, the shaping of commemoration and the preservation of war‘s legacy. They explore difficult issues including diverse and conflicting perspectives of war, political influence and the question of European responsibility.
They argue for the confident inclusion of critical voices and diverse perspectives, and deeper thinking about the impact of violence and dogma on European society.

ICOM Deutschland (Ed.)

Difficult Issues: Proceedings of the ICOM international conference 2017

Museums are the treasure troves of cultural heritage, places of remembrance and selfassurance. But whose stories are they telling? What is remembered in museums, what is ‘forgotten’? – Around 200 museum experts discussed different concepts of action at the international ICOM 2017 conference. Interim results: In order to secure their acceptance by as many reference groups as possible, museums need to communicate their profiles and environments proactively. They make visible different groups of the population, make their life stories heard and present them as equal parts of a shared cultural heritage.
The conference volume brings together numerous examples from European museums, with which the experts involved would like to strengthen the exchange of expertise and contribute to mutual learning.