How to Cite

Baier, Simon: Feld und Signal: Aporien der Malerei bei Elʹ Lisickij und Kazimir Malevič, Heidelberg: arthistoricum.net-ART-Books, 2021. https://doi.org/10.11588/arthistoricum.895

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This work is licensed under a Creative Commons Attribution-ShareAlike 4.0 International License.

Identifiers

https://doi.org/10.11588/arthistoricum.895
ISBN 978-3-98501-029-5 (PDF)

Published

08/31/2021
The printed publication was published in 2021 by edition metzel. ISBN: 978-3-88960-218-3

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Authors

Simon Baier

Feld und Signal

Aporien der Malerei bei Elʹ Lisickij und Kazimir Malevič

The book focuses on two central figures of the historical avant-garde: Kazimir Malevič and El ’Lisickij. The year 1928 marked a turning point for both of them. Lisickij terminates his practice of abstract painting in order to concentrate on the production of monumental, politically motivated installations deploying advanced media technology. Lisickij's former colleague Kazimir Malevič, on the other hand, is not only returning to the handicraft of painting: All of a sudden, in his paintings the human figure reappears, yet in the midst of a dystopian, empty world. Both artistic strategies can be read as reactions to the excesses of modernity that outline our present situation at the end of the 1920s.

Funded by the SNSF (Swiss National Science Foundation)

Simon Baier is Laurenz-Professor for Contemporary Art at the University of Basel.

Chapters

Table of Contents
Pages
PDF
Titelei
Inhalt
5
Einleitung
7-13
Methode, Symptom, Ersatz
13-31
Politik der Ungegenständlichkeit / Spektakel der Abstraktion
32-35
Lenins Papiere
36-43
Der Name und die Ökonomie der Malerei
44-53
Die Schreiber
53-92
Die Schreiber II
92-96
Die Leser
96-114
Schnitt, Falte, Rotation
114-123
Nach der Konstruktion
124-130
Nach der Konstruktion II
130-147
Die toten Geleise der Gegenwart oder die Zukunft des Mangels
147-160
Retour
160-164
Postskriptum: Phänomenologie des Gerümpels, Strom aus Besuchern
164-192
Ursprüngliche Akkumulation. Grund und Boden in Malevics Malerei
192-240
Literaturverzeichnis
241-246
Abbildungsverzeichnis / Bildnachweis
246-247

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