How to Cite

Hoefert, Ute Christiane: Rollenflexibilität und Demokratisierung in der Kunst: Der Konzeptkünstler, Mail Artist und Networker H. R. Fricker, Heidelberg: arthistoricum.net-ART-Books, 2021 (Art & Photography, Volume 1). https://doi.org/10.11588/arthistoricum.845

Identifiers

ISBN 978-3-948466-87-9 (PDF)
ISBN 978-3-948466-88-6 (Softcover)

Published

07/15/2021

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Authors

Ute Christiane Hoefert

Rollenflexibilität und Demokratisierung in der Kunst

Der Konzeptkünstler, Mail Artist und Networker H. R. Fricker

The Swiss artist Hans Ruedi Fricker, born in 1947, has been practicing mail art since 1981. This form of art takes place in an open network where participants exchange objects and self-designed stamps, postcards, and envelopes by mail. Furthermore, they exhibit, collect and preserve mail art. Even before his mail art activity, Fricker intended to de-hierarchize, decentralize and finally democratize the art market, which he perceived as elitist. He belongs to a new type of artist who reacts to current events in a fresh manner and is with his art committed to personal and social processes.

A documentary about mail art is part of the publication. The documentary will be submitted to festivals and will be published later.

Trailer and Movie

Ute Christiane Hoefert studied art history and modern history at the Technical University of Berlin. During her work as a research assistant at the Kunstmuseum Thurgau, she was entrusted with the project "H. R. Fricker: Conquer the Living Rooms of the World!". This project formed the basis for her research paper, which she completed at the University of Zurich.

Chapters

Table of Contents
Pages
PDF
Cover
Titelei
a-IV
Bettina Gockel
Editorial zum Auftakt der Publikationsreihe Art & Photography
V
Vorwort und Dank
XIII
Einleitung
3-57
Notate eines Künstlers
59-84
Fotografie – Einstieg in die Kunst
85-125
Die Straße – eine denkbare Alternative zum Museum?
127-148
Von der Straße ins Netz und zurück
149-243
Outsider Art – H. R. Frickers Kunstsammlung
245-248
Zusammenfassung
249-254
Anmerkungen
255-283
Anhang
285-341

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