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Bärnreuther, Andrea (Ed.): Taking a Stand? Debating the Bauhaus and Modernism, Heidelberg: arthistoricum.net-ART-Books, 2021. https://doi.org/10.11588/arthistoricum.843

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Identifiers

https://doi.org/10.11588/arthistoricum.843
ISBN 978-3-948466-84-8 (PDF)

Published

06/25/2021
The printed publication was published in 2021 by edition metzel. ISBN: 978-3-88960-211-4

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Authors

Andrea Bärnreuther (Ed.)

Taking a Stand?

Debating the Bauhaus and Modernism

“Taking a Stand? Debating the Bauhaus and Modernism” is the developed and expanded version of a symposium that incorporated a school project. The title asks what is understood by adopting an attitude, both in terms of the Bauhaus as a discursive object and the ways in which it is addressed. The concept of taking a stand spans a broad nexus of ideas for investigating the Bauhaus and Bauhaus historiography and for opening up the Bauhaus to the future. The Bauhaus becomes recognizable as a complex of material culture, ideas, practices, and politics, while its understanding as a transnational and transcultural network of relationships becomes fruitful as a driving force for transcultural exchange. The curated format of this hybrid print and online publication opens up non-linear and multi-perspective approaches via overarching questions and keywords.

To use the full functionality as well as the document internal navigation, please download the complete volume.

Andrea Bärnreuther, research associate bauhaus100 at the Bauhaus-Archiv / Museum für Gestaltung, Berlin, worked as exhibition curator at the National Gallery of the Staatliche Museen zu Berlin, Head of Communications, Media, Publications at the Art and Exhibition Hall of the Federal Republic of Germany, Bonn, and conceived and organized academic, discursive and cultural programs in the Directorate General of the Staatliche Museen zu Berlin and at the University of Rostock. The focus of her research interest is on 20th century art, culture, and architecture in a socio-political context and on a transnational and transcultural concept of cultural heritage, understood with regard to museums as an impetus for change.

Chapters

Table of Contents
Pages
PDF
Cover
1
Contents
3-5
Annemarie Jaeggi
Preface
7
Andrea Bärnreuther
Introduction
8-19
Questions and Keywords
20-41
Opening Section
42-43
Winfried Nerdinger
Opening Speech: The Bauhaus – Workshop of Modernism
A Complex of Different Teachings and Practices, and Irresolvable Areas of Tension and its New Design as a Success Story
45-71
Olaf Scholz
Keynote
73-80
Olaf Scholz, Winfried Nerdinger, Anh-Linh Ngo
Opening Panel Discussion
81-107
Winfried Nerdinger, Andrea Bärnreuther
Winfried Nerdinger in an Interview with Andrea Bärnreuther
109-120
Taking a Stand
A Film Project of the Nelson Mandela School, Berlin, and the Paula Fürst School, Berlin
121-122
Florentine Baumann
Introduction into the Film Project of the Nelson Mandela School, Berlin
123-126
Kirsten Zenns
Introduction into the Film Project of the Paula Fürst School, Berlin
127-132
Carina Kitzenmaier
Exercises in Holding a Stance with School Students and Researchers
Call for Cross-Generational Dialogue
133-137
Section I
Planning and Building for a «New World»? Conflict Situations, Areas of Tension, and Learning Processes
138-139
Ryan Fred Long
Reflections on Hannes Meyer’s trajectory of displacement and the idea and potential of a «marginal counter-history»
141-152
Raquel Franklin
Planning for «The New World»
Hannes Meyer in the Soviet Union and Mexico
153-168
Paola Ardizzola
The Formalism and the Real: Bruno Taut’s Translation of Neues Bauen in Exile
169-183
Ulrich Hartung
Richard Paulick: From the Bauhaus to the Stalinallee and Back
An Enquiry into the «Evolution» of a German Architect
185-198
Eduard Kögel
«times to come will not care for streamlining and machines to live in»
Richard Paulick in Shanghai in Search of a More Humane Architecture
199-212
Ryan Fred Long, Raquel Franklin, Paola Ardizzola, Ulrich Hartung, Titia Rixt Hoekstra
Panel Discussion I
213-228
Section II
Bauhaus and Bauhaus Pedagogy in Sweden, Latin America, and China. Transfer, Translation, and Transformation Processes, Power Relations and (Geo-) Politics
230-231
Atli Magnus Seelow
Reception, Exile and The People’s Home – Some Aspects of Sweden's Relationship to the Bauhaus
233-246
David Maulén de los Reyes
Re-Imagining Modernization in Chile – The Active School Movement, Integral Co-op Architecture, Second-Order Cybernetics – Lessons from the Bauhaus and Beyond
247-262
Susanne Neubauer, Marcelo Mari
Born from the Periphery – Gui Bonsiepe’s Contribution to a Symbolic Production of Design within the Cultural-Political Context of Salvador Allende’s Chile
263-276
Fernando Pérez-Oyarzun
Bauhaus in Chile – The Presence of a School
277-294
Chin-Wei Chang
Manifestations of Bauhaus on the Mainland: Historical Advent of China’s Modernities in Arts, Crafts, and Architecture
295-313
Zoe Zhang
«Anonymous» and «Versioning» Approaches: The Spread of Bauhaus in China
315-332
Atli Magnus Seelow, David Maulén de los Reyes, Susanne Neubauer, Chin-Wei Chang, Joaquín Medina Warmburg
Panel Discussion II
333-355
Section III
Historiography and Politics of Memory. Processes of Reception and Repression
356-357
Simone Hain
Damnatio Memoriae
The Case of Mart Stam
359-373
Philipp Oswalt
Hannes Meyer and the Bauhaus Brand
375-381
Ronny Schüler
In the Shadow of Memory – Munio Weinraub Gitai and Shmuel Mestechkin
383-396
Philipp Oswalt
The Myth of the White Bauhaus City Tel Aviv
397-408
Hila Cohen-Schneiderman
We Don’t Want to Know: Suppressed Narratives of the White City
409-424
Simone Hain, Philipp Oswalt, Ronny Schüler, Doreen Mende
Panel Discussion III
425-439
Titia Rixt Hoekstra, Joaquín Medina Warmburg, Doreen Mende, Andrea Bärnreuther, Annemarie Jaeggi
Final Discussion
441-453
Epilogue
455
Elke Krasny
Built on Care: An Architecture Curriculum for Living with an Infected Planet
457-468
Thierry Fabre
Bauhaus-Méditerranée
The Art of Dwelling Differently in the World
469-480
Authors and Publication Team
483-487
Index (Persons, Institutions, Exhibitions, Magazines, and Buildings)
488-492
Photo Credits
493
Imprint
494

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