How to Cite

Verstegen, Ian: Federico Barocci and the Science of Drawing in Early Modern ltaly, Heidelberg: arthistoricum.net-ART-Books, 2019. https://doi.org/10.11588/arthistoricum.468

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Creative Commons License

This work is licensed under a Creative Commons Attribution-ShareAlike 4.0 International License.

Identifiers

https://doi.org/10.11588/arthistoricum.468
ISBN 978-3-947449-46-0 (PDF)
ISBN 978-3-947449-45-3 (Softcover)

Published

07/18/2019

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Authors

Ian Verstegen

Federico Barocci and the Science of Drawing in Early Modern ltaly

Federico Barocci has firmly entered the canon of late Renaissance and early Baroque art history. Yet even after monographs and exhibitions, his working procedure still resists complete understanding. The following book is a structural examination of the working practice of Federico Barocci, shedding light on each of the kinds of drawings he produced in the execution of a typical painting. The book seeks out the logic of Barocci’s practices, which may seem idealized but is nonetheless quite real. In the end, this book provides a master key for understanding the function and constitution of Barocci's remarkable graphic production.

Chapters

Table of Contents
Pages
PDF
Front Matter
Tabel of Contents
Federico Barocci and the Science of Drawing in Early Modern Italy
5-6
Preface
7-8
Introduction
9-24
Chapter 1: Urbino’s Mathematical Humanism and the Reduction Compass
25-44
Chapter 2: The Process of Composition
45-72
Chapter 3: Ink Models (1:3-1:8)
73-94
Chapter 4: The Cartoon
95-102
Chapter 5: Reduced Cartoons and Oil Sketches (1:2-1:4)
103-126
Chapter 6: Chalk Drawings (1:2)
127-142
Chapter 7: Full Size (1:1) Oil and Pastel Drawings
143-166
Chapter 8: Copies and Workshop Pictures
167-188
Conclusion
189-190
References
191-207
Back Cover
208-209

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