How to Cite
Siemer, Sabine: Die Passionsdarstellungen von Albrecht Dürer: Theologie und Rezeptionsästhetik, Heidelberg: arthistoricum.net, 2023. https://doi.org/10.11588/arthistoricum.1099
Identifiers
ISBN 978-3-98501-122-3 (PDF)
ISBN 978-3-98501-123-0 (Hardcover)
Published
01/18/2023
Die Passionsdarstellungen von Albrecht Dürer
Theologie und Rezeptionsästhetik
Why did Dürer in his books of the Passion of Jesus Christ arrange Christ’s Decent Into Hell immediately after the Crucifixion instead of, as theologically and traditionally expected, in front of the Resurrection? This question started the interdisciplinary dissertation concerning Albrecht Dürers depictions of the Passion of Jesus Christ. On one hand, it examines which theological message the Nuremberg artist conveys in his passions scenes and to what capacity he implements (pre‑)reformatory ideas. On the other hand, this work covers the question how Dürer involves the viewer in his depictions and how he challenges - stimulated by the new humanist conception of man - to think anew and independently about the Passion of Jesus Christ.
Chapters
Table of Contents
Pages
PDF
Theologische und rezeptionsästhetische Besonderheiten in drei ausgewählten Passionsszenen
Eine Spurensuche
57-108
Zusammenfassung und Fazit
Albrecht Dürer als kunstvoller Mittler zwischen Passionsgeschichte und Frömmigkeit
287-290