How to Cite

Bellin, Jörge: Heraldische Gesichter: Zur Funktionalisierung von Ähnlichkeit in habsburgischen Herrscherporträts um 1500 und in den Anfängen der Porträtgenese, Heidelberg: arthistoricum.net-ART-Books, 2024. https://doi.org/10.11588/arthistoricum.1098

Identifiers

ISBN 978-3-98501-120-9 (PDF)
ISBN 978-3-98501-121-6 (Hardcover)

Published

01/24/2024

Authors

Jörge Bellin

Heraldische Gesichter

Zur Funktionalisierung von Ähnlichkeit in habsburgischen Herrscherporträts um 1500 und in den Anfängen der Porträtgenese

For Jakob Burckhardt, "the question: to what extent portrait? to what extent ideal? [...] was one of the most graceful questions in Italian art history". It is indeed not only a central problem of Italian, but of the entire European history of portraiture and its research. Especially with regard to portraits of rulers, the aspect of physiognomic resemblance was marginalized again and again, despite its crucial significance to the concept and subject of the portrait, and the "individual" took a back seat to "type," "ideal," and "higher conception". The present study counters this with an interpretive model based on the concept of similitudo, which conceives the post-ancient 'rediscovery' of similarity as an effective and significant factor in political semiotics.

Jörge Bellin: most recently research associate at the Ludwig-Maximilians-University Munich within the DFG research group " The Role of Nature in Conceptualizing Political Order: Antiquity ‒ Middle Ages ‒ Early Modern Period". Main areas of research: Political iconography, theory of representation, history of the portrait in theory and practice, transcultural studies on body images, sepulchral art.

Chapters

Table of Contents
Pages
PDF
Titelei
Inhaltsverzeichnis
vii-iix
Danksagung
ix
1 Einleitung: Do barbers and cobblers make the gods that we worship?
1-18
2 Standpunkte der Forschung
19-36
3 Heraldische Gesichter - Habsburgische Herrscherporträts um 1500
37-147
4 Die Grenzen der Ähnlichkeit? Albrecht Dürers Porträt Maximilians I. von 1519
149-197
5 Zur Frage der Ähnlichkeit in der frühen Porträtgenese
199-296
6 Schlussbetrachtungen
297-307
Bibliografie
309-337
Abbildungsnachweise
339-348

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