How to Cite

Girometti, Stefania: In Italien Karriere machen: Der flämische Maler Michele Desubleo zwischen Rom, Bologna und Venedig (ca. 1624-1664), Heidelberg: arthistoricum.net, 2022. https://doi.org/10.11588/arthistoricum.922

Identifiers

ISBN 978-3-98501-044-8 (PDF)
ISBN 978-3-98501-045-5 (Hardcover)

Published

04/13/2022

Authors

Stefania Girometti

In Italien Karriere machen

Der flämische Maler Michele Desubleo zwischen Rom, Bologna und Venedig (ca. 1624-1664)

The Flemish painter Michele Desubleo (* 1601, Maubeuge; † 1676, Parma) had a successful career in Italy. In Rome, Bologna and Venice, he established contacts with some of the most renowned painters and art collectors of his time and secured honourable commissions. He thus represents a special case of an immigrant painter. However, the artistic recognition he received during his lifetime could not prevent Desubleo’s name from rapidly disappearing from art historical literature after his death.

This monograph explores for the first time the complex mechanisms that led to the success and oblivion of a foreign painter in 17th century Italy. The study reveals the multi-faceted picture of a gifted artist and traces his unusual rise far from official career paths.

Stefania Girometti studied European Art History, Museology, Medieval and Modern History as well as Classical Archaeology in Heidelberg, Paris (École du Louvre) and Manchester. She has been working at the Städel Museum in Frankfurt am Main since 2021. Prior to this, she was curatorial fellow at the Staatliche Kunstsammlungen Dresden.

Media coverage

Alice Collavin: Desubleo! Chi era costui?, in: Kunstchronik, 76.2023, S. 20-27.

Marije Osnabrugge, In Italien Karriere machen: Der flämische Maler Michele Desubleo zwischen Rom, Bologna und Venedig (ca.1624-1664), in: The Burlington Magazine, July 2023, pp. 806-807.

Chapters

Table of Contents
Pages
PDF
Titelei
Inhalt
5-7
Danksagung
9-11
Einleitung
13-29
Neue Wege – Der römische Anfang
31-72
Der große Aufbruch: Bologna
73-144
Eine neue Dimension: Venedig
145-211
Seinen eigenen Stil etablieren? – oder: Desubleos Branding
213-270
Desubleos künstlerisches Erbe und sein Nachruhm
271-330
Schlussbetrachtungen
331-339
Bibliographie
341-387
Zeittafel
389-391
Quellenanhang
393-455
Bildnachweis
457-460
Personenregister
461-466

Comments