How to Cite

Stoltz, Barbara: Die Kunst des Schneidens und die gedruckte Zeichnung: Theorie der Druckgraphik in der Kunstliteratur des 16. und 17. Jahrhunderts, Heidelberg: arthistoricum.net-ART-Books, 2023. https://doi.org/10.11588/arthistoricum.489

License

Creative Commons License

This work is licensed under a Creative Commons Attribution-NonCommercial-ShareAlike 4.0 International License.

Identifiers

https://doi.org/10.11588/arthistoricum.489
ISBN 978-3-947449-54-5 (PDF)

Published

07/18/2023
The printed publication was published in 2023 by ad picturam Fachverlag für kunstwissenschaftliche Literatur e. K. ISBN: 978-3-942919-08-1

Downloads

Download book (PDF/81MB)
Statistic

Authors

Barbara Stoltz

Die Kunst des Schneidens und die gedruckte Zeichnung

Theorie der Druckgraphik in der Kunstliteratur des 16. und 17. Jahrhunderts

Ever since the early literary reappraisals of the art of printmaking, the question has been raised as to what printmaking ultimately is. The treatises of the 16th and 17th centuries offer a variety of divergent statements and interpretations that can be summed up, on the one hand, as an oscillating view between the art of cutting on the printing plate and its appearance on the printed page, and, on the other hand, must yield to the predominance of the competing main genres of painting and sculpture.
In an analysis of the prominent art literature of the early modern period, such as Vasari's Vite, Van Mander's Schilder-Boeck or André Félibien's Entretiens, the book presents a selection of these discussions on the art of printing as well as an extensive appendix.

Barbara Stoltz studied art history and Italian philology at the Philipps University of Marburg and at the Ca' Foscari in Venice. She wrote her doctoral thesis on 16th century art theory and literary criticism (Gesetz der Kunst – Ordo der Welt. Federico Zuccaro's Dante-Zeichnungen, published in 2011). Her research interests include pre-modern and contemporary art theory as well as printmaking and metal art.

Chapters

Table of Contents
Pages
PDF
Titelei
Inhalt
Vorwort und Danksagung
9-10
Einleitung
11-29
Das druckgraphische Werk zwischen Druckbild und Druckplatte
31-171
Druckgraphik und die Konzepte Inventio und Imitatio
173-230
Künstlerische Revisionen der Druckgraphik
231-282
Zusammenfassung
283-295
Anhang
Schriften zur Druckgraphik des 16. und 17. Jahrhunderts
II-CLXXXVII

Comments