How to Cite

Cronjäger, Lisa: On Cutting Forests and Avoiding Pasting: Heinrich Cotta’s Forest Maps, in Boskamp, Ulrike et al. (Eds.): Pasted Topographies, Heidelberg: arthistoricum.net, 2023 (Terrain. Studies on Topographic Visual Media, Volume 1), p. 83–105. https://doi.org/10.11588/arthistoricum.1323.c18466

License (Chapter)

Creative Commons License

This work is licensed under a Creative Commons Attribution-NoDerivatives 4.0 International License.

Identifiers (Book)

ISBN 978-3-98501-239-8 (PDF)

Published

12/20/2023

Authors

Lisa Cronjäger

On Cutting Forests and Avoiding Pasting

Heinrich Cotta’s Forest Maps

The paper examines historical forest maps from the 18th and 19th centuries. The focus is on the question of how the map’s notation systems and paper techniques transformed forest environments. Thus, the analysis highlights parallels between the practices of cutting, pasting, and subdividing paper and the way how forest parcels were organized in the forest. In fact, monocultures were a result of the cartographic techniques that were standardized in European forestry at the beginning of the 19th century. Consequently, it is worthwhile to analyze the mapmaking strategies of sustainable forestry in the context of widespread land-use conflicts in the early 19th century. Ultimately, the paper traces the epistemic violence enacted against subsistence practices in the forest that disrupted the goal of sustainable timber yields and homogeneous forest parcels on the map.

Lisa Cronjäger is a cultural and media historian in the fields of environmental history and the history of science. After completing her studies at Humboldt University in Berlin and the University of Helsinki, she was an associate researcher at the University of Basel from 2017 to 2022. In her dissertation Periods of Rotation, she investigated 19th-century forest cartography as a cultural technique whose goal was sustainability. In particular, she analyzed the strategies of representation and the role of forest maps in land-use conflicts. Since 2023, she is a scientific collaborator in the research project Operative TV. Audiovisual Closed-Circuits from the Military to the Classroom, Université de Lausanne, and is working on her post-doc project on Thought Collectives of Social Ecology in the 1970s.