How to Cite

Bernhardt, Katja et al.: Die blinden Flecken der Kunstgeschichte? : Das Beispiel Ukraine, in Heck, Kilian and Lipińska, Aleksandra (Eds.): Als der Krieg kam … / When the war came …: Neue Beiträge zur Kunst in der Ukraine / New studies into art in Ukraine, Heidelberg: arthistoricum.net-ART-Books, 2023, p. 12–43. https://doi.org/10.11588/arthistoricum.1227.c17103

Identifiers (Book)

ISBN 978-3-98501-205-3 (PDF)

Published

06/21/2023

Authors

Katja Bernhardt, Robert Born, Mateusz Kapustka, Antje Kempe, Aleksandra Lipińska, Beate Störtkuhl

Die blinden Flecken der Kunstgeschichte?

Das Beispiel Ukraine

Katja Bernhardt is an art and image historian and research assistant at the Nordost-Institut, Lüneburg. Alongside the historiography of art history, her main research interests are the historical analysis of architecture and the urban space, and the visual history of Eastern and East-Central Europe with particular reference to Poland.
https://orcid.org/0000-0002-9030-5996

Robert Born is an art historian and since September 2021 a research assistant at the Federal Institute for Culture and History of the Germans in Eastern Europe in Oldenburg. Among his key research areas are the cultural contacts between the Ottoman Orient and East-Central Europe, art historiography in East-Central and south-eastern Europe from the 18th to the 20th century, and Baroque art in East-Central and south-eastern Europe.
https://orcid.org/0000-0003-3491-8680

Mateusz Kapustka studied art history and philosophy. Since 2016 he has been visiting lecturer at the Institute of Art History, University of Zurich, and in the 2022/2023 academic year he is deputy professor of eastern European art history at the Humboldt University in Berlin. His research areas include iconographic con-flicts and historical evidence constructions, anachronism and the afterlife of images, image propaganda of power, exclusion and alienness (from the Middle Ages until the 18th century), and transcultural aspects of historical image concepts.

Anje Kempe is an art and image scholar at the University of Greifswald, where she works at the Interdisciplinary Centre for Baltic Sea Region Research (IFZO) on a project about divided heritage. Among her research areas are ecological art history with a particular focus on garden and landscape architecture and related artistic practices, analysis of memorial cultures in northern and eastern Europe, and art historiography.

Beate Störtkuhl is an art historian and research coordinator at the Federal Institute for Culture and History of the Germans in Eastern Europe in Oldenburg, and private lecturer at the Carl von Ossietzky Universität. Her key research fields are Informationen über die Autor:innen/Information about the authors the architectural history of the 20th century, particularly in East-Central Europe, and the history of aesthetics and monument conservation.