How to Cite

Klusik-Eckert, Jacqueline: Transfer von Bildideen: Zur Kultur des Kopierens in der rudolfinischen Malerei und der Rezeption von Bartholomäus Spranger (1546–1611), Heidelberg: arthistoricum.net-ART-Books, 2023. https://doi.org/10.11588/arthistoricum.1137

License

Creative Commons License

This work is licensed under a Creative Commons Attribution-ShareAlike 4.0 International License.

Identifiers

https://doi.org/10.11588/arthistoricum.1137
ISBN 978-3-98501-133-9 (PDF)
ISBN 978-3-98501-134-6 (Hardcover)

Published

03/29/2023

Downloads

Download book (PDF/57MB)
Statistic

Authors

Jacqueline Klusik-Eckert

Transfer von Bildideen

Zur Kultur des Kopierens in der rudolfinischen Malerei und der Rezeption von Bartholomäus Spranger (1546–1611)

The book focuses on the reception of Rudolfine painting, primarily Bartholomäus Spranger's (1546–1611). With the help of a new method, inspired by Warburg's Bildreihen, anonymous copies become new sources. Influenced by aesthetics around 1600, above all the aemulatio principle as an agonal concept peculiar to art, these art objects can not be neglected as mere reproductions. Copies with transfer of genre are to be understood as creative, partly imaginative translations. If one appreciates the copies as original objects with their own historiografy, they become evidence of an early modern culture of innovative copying.

Jacqueline Klusik-Eckert studied art history and modern German literature in Erlangen and Bern, Switzerland. After completing her Master's degree, she worked at the Germanisches Nationalmuseum in Nuremberg parallel with her doctorate, and later as coordinator of the Digital Humanities at FAU Erlangen-Nuremberg. In addition to art around 1600, her research areas are the methodological history of digital art history, drawing studies and German Romanticism.
https://orcid.org/0000-0002-0969-2520

Chapters

Table of Contents
Pages
PDF
Titelei
Inhaltsverzeichnis
5-7
Vorwort und Dank
9-12
Hinweise zur hybriden Publikation
13
1 Nachwirken Bartholomäus Sprangers
15-29
2 Forschungsüberblick und Methode
31-64
3 Sprechen und Schreiben über Kopien
65-88
4 Die omnipräsente Kopie? Zur Kultur des Kopierens am Hof Rudolfs II.
89-176
5 Transfer von Bildideen – Kopien nach rudolfinischen Künstlern
177-258
6 Kopien als historische Quellen und offene Fragen der Rezeption
259-267
7 Katalog
269-395
Anhang
397-448

Comments