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Kriebel, Sandra: Privater Kunstbesitz und öffentliche Interessen: Die Berliner Leihausstellungen alter Kunst im Deutschen Kaiserreich, Heidelberg: arthistoricum.net-ART-Books, 2023. https://doi.org/10.11588/arthistoricum.1097

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Identifiers

https://doi.org/10.11588/arthistoricum.1097
ISBN 978-3-98501-118-6 (PDF)

Published

10/11/2023

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Authors

Sandra Kriebel

Privater Kunstbesitz und öffentliche Interessen

Die Berliner Leihausstellungen alter Kunst im Deutschen Kaiserreich

From the 19th century, loan exhibitions flourished all over Europe. Local collectors in the bigger cities collaborated in order to present their private art treasures to the public. This exhibition format is a predecessor of today’s museum practise and it contributed to the development of new curatorial strategies. This study examines ten Berlin loan exhibitions between 1872 and 1914, that have been curated by museum makers like Wilhelm von Bode, Max J. Friedländer and Ludwig Justi. It focusses on the potential social implications for the lenders as well as the cultural-political intentions of the organisers of these art shows.

Sandra Kriebel is an art historian and a freelance lecturer in art and design history as well as scientific practice in Leipzig. In 2023, she successfully completed her doctorate with Bénédicte Savoy at TU Berlin. As part of her research on the history of art exhibitions, she deals with curatorial practices and socio-cultural functions of exhibitions during the 'long 19th century', especially with the phenomenon of loan exhibitions. In addition, her research touches on cultural diplomacy and the history of the bourgeoisie, as well as the sociology of lending in a cultural context on the interface of gift economy.

Chapters

Table of Contents
Pages
PDF
Titelei
Widmung
Inhaltsverzeichnis
7-10
Danksagung
11
Vorbemerkung
12
Abbildungsverzeichnis
15-18
1 Exposition – Privatbesitz ausstellen
19-38
2 Leihen und Zeigen – Zu den Ursprüngen des Ausstellungsformats
39-60
3 Die Ausstellungen alter Kunst aus Berliner Privatbesitz 1872–1914 und ihre Akteure
61-126
4 Display und Event – Kuratorische und soziokulturelle Inszenierungsstrategien
127-280
5 Synthese – Vom Sinn des Leihens
281-311
6 Fazit und Ausblick
313-318
7 Anhang
319-450

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