Fourlas, Benjamin

Falko Daim (Ed.), Benjamin Fourlas (Ed.), Katarina Horst (Ed.), Vasiliki Tsamakda (Ed.)

Spätantike und Byzanz. Bestandskatalog Badisches Landesmuseum Karlsruhe: Objekte aus Bein, Elfenbein, Glas, Keramik, Metall und Stein

The collection of the Badisches Landesmuseum Karlsruhe contains an extensive inventory of Late Antique and Byzantine objects, previously only partially accessible in publications. The artefacts and artworks are mainly small-scale objects, some of great scholarly value. They belong to both the sacral and secular spheres and convey a wide spectrum of everyday life as well as artistic and cultural production in the late Roman and Byzantine Empire. In the collection catalogue, the 268 objects made of bone, ivory, glass, ceramics, metal and stone, some bearing inscriptions, are thoroughly documented, interpreted and categorized in terms of their cultural history.

Sabine Schrenk (Ed.), Ute Verstegen (Ed.)

Forschungsgeschichte als Aufbruch: Beiträge zur Geschichte der Christlichen Archäologie und Byzantinischen Kunstgeschichte, XXIV. Tagung der Arbeitsgemeinschaft Christliche Archäologie, Bonn, 10.–12. Mai 2018

The contributions were written within the framework of the XXIV conference of the “Arbeitsgemeinschaft Christliche Archäologie zur Erforschung spätantiker, frühmittelalterlicher und byzantinischer Kultur” (AGCA) which took place in Bonn in May 2018. Representatives from institutionally based Early Christian archaeology and Byzantine archaeology and art history in Germany, Aust   ria, Italy, Spain, Turkey, the Netherlands and Switzerland give an account on the subject’s history at their respective locations. Prominent researchers are portrayed, important national and international excavations are discussed, as well as the activities of national and international centers of research and of museums. The result is a broad overview of the history of the subject which clearly shows how multifaceted and rich in tradition Early Christian archaeology and Byzantine archaeology and art history are - a foundation for the subject’s future, for continuity as well as for changes.