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Making-of: Die „Zukunft des kunsthistorischen Publizierens” als Experimentierfeld
Electronic publishing opens up previously inconceivable forms of interaction as well as new fields of formal and content analysis. This concerns the details as well as the networking to large corpora of (specialized) scientific information. The contribution of Christof Schöch in this volume served as a stimulus for the Heidelberg arthistoricum.net team to take a look at the requirements for data that should primarily serve the machine processing of research literature and not the "classical" reading. This anthology became a self-reflexive experimental field for the five requirements formulated by Schöch for machine-readable scientific publications, three of which were met and the editorial and technical procedure could be documented here: The enrichment with metadata, the encoding of text structures as well as the semantic data enrichment in the form of entities and concepts and their linkage with the Gemeinsame Normdatei (GND) and the knowledge database Wikidata.
Keywords:
Academic publishing, databases, digital publishing, digital strategy, e-book, gold open access, hosting, humanities, journals, long-term availability, machine readability, normative data, ontologies, open access, open access books, open access monographs, open data, Open Monograph Press (OMP), professional community, publication formats, research data, social media, software development, XML
Maria Effinger is Head of Publication Services at Heidelberg University Library, Managing Director of Heidelberg University Publishing (heiUP), subject specialist for art history (arthistoricum.net), co-spokesperson NFDI4Culture. Main focus: Electronic publishing in open access, digital editions, cultural heritage and digital humanities.
https://orcid.org/0000-0001-6396-4876
Frank Krabbes is a publishing producer and literary scholar. He is responsible for the book and journal production at Heidelberg University Library.
https://orcid.org/0000-0002-7597-7188
