Fayet, Roger

Roger Fayet (Ed.), Regula Krähenbühl (Ed.)

Kunst und Material. Konzepte, Prozesse, Arbeitsteilungen

Outlines, Volume 12

Media diversity, an expanded notion of the artwork and a changed understanding of creativity have shaped art since the modern era. This creates new challenges for the reception and preservation of a work as well as for the concept of authorship and the idea of authenticity. The separation of design and implementation in contemporary art also establishes a new form of art production based on the division of labour with manifold implications. The contributions in this volume show that such developments require innovative, interdisciplinary approaches at the interface of the history of technology, conservation science and art history.

Regula Krähenbühl (Ed.), Roger Fayet (Ed.)

Authentizität und Material. Konstellationen in der Kunst seit 1900

Outlines, Volume 11

Contributions to this issue centre on concepts of authenticity and their relevance to art since 1900, notably the referential concepts underlying sculpture around 1900, Piero Manzoni and contemporary art techniques. Essays on the Hamburg facsimile controversy in the late 1920s, Dieter Roth and computer-based art address the relationship between originals and reproductions. Authenticity in the sense of a specific relationship between a thing and its authorship is explored by articles on connoisseurial expertise, haptic perception of the artefact and the question of authenticity in media studies discourse.

Karoline Beltinger

Hans Emmenegger. «Maltechnik-Notizbuch» und Werkprozess 1901–1905

KUNSTmaterial, Volume 6

With the aim of further developing his painting technique and improving the durability of his paintings, the Swiss painter Hans Emmenegger (1866-1940) meticulously documented his working processes, materials and techniques between 1901 and 1905. His ‘painting technique notebook’ was evaluated at the Swiss Institute of Art Research in Zurich and linked to the results of technological painting analyses. This volume presents the results of this research. Emmenegger's search for subjects, the function of studies, the painting process, his struggle for pictorial colour, his technical experiments and much more are explained.