Turing Complete User
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Lialina, Olia: Turing Complete User: Resisting Alienation in Human Computer Interaction, Heidelberg: arthistoricum.net, 2021. https://doi.org/10.11588/arthistoricum.972

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This work is licensed under a Creative Commons License 4.0
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Creative Commons License BY-SA 4.0

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ISBN 978-3-98501-071-4 (PDF)
ISBN 978-3-98501-072-1 (Softcover)

Published 09.12.2021.

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Olia Lialina

Turing Complete User

Resisting Alienation in Human Computer Interaction

Interface Critique book
Around 2010, the field of human-computer interaction and the IT industry at large started to invest in reforming their terminology: banning some words and reversing the meanings of others to camouflage the widening gap between users and developers, to smooth the transition from personal computers to “dumb terminals”, from servers to “buckets”, from double-clicking to saying “OK, Google”. Computer users also learnt to talk, loud and clear, to be understood by Siri, Alexa, Google Glass, HoloLens, and other products that perform both listening and answering. Maybe it is exactly this amalgamation of input and output into a “conversation” that defines the past decade, and it will be the core of HCI research in the years to come. Who is scripting the conversations with these invisible ears and mouths? How can users control their lines? When hardware and software dissolve into anthropomorphic forms and formless “experiences”, words stop being mere names and metaphors. They do not only appeal to the imagination and give shape to invisible products. Words themselves become interfaces – and every change in vocabulary matters.

Olia Lialina is a pioneer internet artist and Professor at the Merz Akademie in Stuttgart. She co-founded the Geocities Research Institute and reflects on new media, digital folklore and vernacular web in her writings, exhibitions, and talks.

Contents
PDF
Front Matter
Table of Contents
Preface
Turing Complete User (2012)
Rich User Experience, UX and Desktopization of War (2014)
Not Art Not Tech (2015)
On the Role of Media Theory at Universities of Applied Art, Technology and Art and Technology
Once Again, The Doorknob (2018)
On Affordance, Forgiveness and Ambiguity in Human–Computer and Human–Robot Interaction
From My To Me (2021)
User Rights (2013)
References
Postscript by the Editors