Ullrich, Wolfgang
Die Zukunft des kunsthistorischen Publizierens
Scientific publishing is in a state of upheaval, and no one can avoid the universal game changer that is digital. It is highly doubtful whether the printed book will be the standard model in this field in the future. Instead, the internet offers itself as an extremely flexible medium, which clearly offers both added value and a common method of reception. The many possibilities that digital publishing opens-up are examined in this volume, in a series of 14 essays from an art historical perspective.
The proceedings are published not only as a PDF e-book, HTML version and print-on-demand edition, but also as an XML version enriched with standards data tagging.
Art Criticism in Times of Populism and Nationalism: Proceedings of the 52nd International AICA Congress, Cologne/Berlin 1–7 October 2019
This publication documents the 52nd International Congress of the Art Critics Association (AICA), which met in 2019 in Cologne and Berlin to discuss the topic of Art Criticism in Times of Populism and Nationalism. More than forty speakers and moderators provided a definition of populism, addressed issues of discrimination, censorship in many countries, and the appropriation of artistic strategies in ‘right-wing’ language use. The autonomy and responsibility of art and art criticism were also thematised. The discussions reproduced here in text form reveal the full complexity of the topic.
The documentation is published in two separate German and English volumes.
Kunstkritik in Zeiten von Populismen und Nationalismen: Akten des 52. internationalen AICA Kongresses, Köln/Berlin 1. bis 7. Oktober 2019
This publication documents the 52nd International Congress of the Art Critics Association (AICA), which met in 2019 in Cologne and Berlin to discuss the topic of Art Criticism in Times of Populism and Nationalism. More than forty speakers and moderators provided a definition of populism, addressed issues of discrimination, censorship in many countries, and the appropriation of artistic strategies in ‘right-wing’ language use. The autonomy and responsibility of art and art criticism were also thematised. The discussions reproduced here in text form reveal the full complexity of the topic.
The documentation is published in two separate German and English volumes.
