Ozdoba, Marie-Madeleine
Nouveaux médias: mythes et expérimentations dans les arts
With the editorial participation of Sara Alonso Gómez, François Aubart, Juliette Bessette, Marie-Laure Delaporte, Claus Gunti, Caroline Marié, Julie Martin and Marie Vicet.
https://newmedia.dfk-paris.org/
Research in art history on the relations between the arts and new media interrogates not only the wealth of experimental forms but also issues of resistance to visual hegemony – from the debut of cinema to virtual reality devices, and by way of video art and cybernetic art.
This publication distances itself from the mythology of new media as a symbol of modernity, seeking to grasp these issues through artistic practices. Far from the technological determinism that has contributed to structuring the field, it approaches media and techniques as tools for investigating art and culture. Twenty-four scholarly and artistic contributions offer an extensive mapping of the most recent research, reconfiguring our understanding of museum practices, of the role of technology, and of the artistic object and the experience of audiences.
Related research data on arthistoricum.net@heiDATA
Matrix Moderne | Ostmoderne: Bauen, baubezogene Kunst und Formgestaltung in Ostdeutschland und dem Europa der Nachkriegszeit
Recently, modern building, art-in-architecture and design in the immediate post-war years, beginning in the 1950s, have received increasing attention, following a long period of neglect. Modern Matrix covers many modernist movements, styles and tendencies. The developments in the wake of the reconfiguration and reconstruction of Eastern Europe require an independent consideration that takes into account the specific conditions of their emergence. At the same time, the concept of Eastern modernism makes it possible to question previous standards for the appropriation of tendencies of international modernism on a European level. This volume brings together contributions from the conference of the same name at the Kunstsammlungen Chemnitz.
