Bär, Frank P.

Sabine Tiedtke (Ed.)

Meisterwerke aus Glas

Today, glass has become commonplace. The former luxury item has become a disposable product.
How does a glass become a masterpiece? Transparency or luminous color? The pure effect of the material or a precious ornamentation of the surface? The collection of the Germanisches Nationalmuseum contains a large stock of drinking and table glasses as well as numerous other objects made of this mostly transparent material. This book presents about 50 of them. It provides insights into the development of hollow glass, beginning with antiquity and extending to the 1950s, and also shows the diversity of the material by means of objects that were used in a wide variety of areas.

Dominik von Roth (Ed.), Linda Escherich (Ed.)

Private Passion – Public Challenge: Musikinstrumente sammeln in Geschichte und Gegenwart

Whereas the enthusiasm of private individuals for collecting musical instruments remains undiminished, public museums are too often restricted in their desire to augment their collections by lack of storage space and money.
When the Rück Collection was sold to the Germanisches Nationalmuseum at the beginning of the 1960s, it was the last sizeable collection of musical instruments within Germany to pass from private to public ownership. In keeping with Rück’s example, private collecting of musical instruments forms the central theme of the conference, with contributions on historical and contemporary collections from all over Europe. In addition such topics as the function of musicology and related themes, such as the display of public collections are being addressed and complemented by the experiences of private collectors. Positions from the fields of literary studies, cultural management, transcultural music studies, and art history provide cross-disciplinary correctives and complete the conference proceedings.

Daniel Hess (Ed.), Dagmar Hirschfelder (Ed.)

Renaissance · Barock · Aufklärung: Kunst und Kultur vom 16. bis zum 18. Jahrhundert

Die Schausammlungen des Germanischen Nationalmuseums, Band 3

This title accompanies the permanent exhibition at the Germanisches Nationalmuseum on art and cultural history of the German-speaking world during the 16th to 18th centuries. The exhibition has been on display since 2010. It features about 1,000 exhibits in 33 rooms and addresses central themes of the early modern period such as collecting and presenting, the reception of antiquity and nature studies, the correlation between art and religion and the changing image of humanity. The complementing publication includes papers that deal with these key themes in a detailed manner. It also comprises a scientific catalogue of all exhibits. Paintings and sculptures, including masterpieces by Albrecht Dürer, Peter Vischer, Lucas Cranach or Franz Xaver Messerschmidt, as well as stained glasses, graphic prints and illustrated books, art handicraft, textiles, jewellery, medals, furniture and musical instruments are being put into their artistic and historical contexts on the basis of the most recent research. In this attractively designed volume about two thirds of the 1,000 exhibits are being presented in high quality colour prints.