How to Cite

Fraser, Sarah, Wakita, Mio and Wang, Lianming (Eds.): Women Cross Media: East Asian Photography, Prints, and Porcelain from the Staatliche Kunstsammlungen Dresden, Heidelberg: arthistoricum.net, 2022. https://doi.org/10.11588/arthistoricum.995

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Identifiers

https://doi.org/10.11588/arthistoricum.995
ISBN 978-3-946653-45-5 (PDF)

Published

02/24/2022

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Authors

Sarah Fraser (Ed.), Mio Wakita (Ed.), Lianming Wang (Ed.)

Women Cross Media

East Asian Photography, Prints, and Porcelain from the Staatliche Kunstsammlungen Dresden

This volume examines one of the rarely studied phenomena in East Asian Art: the cross-media flows of images between porcelain, paintings, prints and souvenir photography in China and Japan during the 18th to early 20th centuries. Focusing on both concepts of femininity and their transcultural impact in the production of meanings, a wide range of issues are discussed in essays by closely investigating selected objects from three collections of the Staatlichen Kunstsammlungen Dresden, Germany.

Prof. Dr. Sarah E. Fraser ist Professorin für Kunstgeschichte Chinas am Institut für Kunstgeschichte Ostasiens der Universität Heidelberg.

Dr. Mio Wakita is Curator of Asian Art at MAK – Museum of Applied Arts, Vienna.

Dr. Lianming Wang is a Fellow at the Kunsthistorisches Institut in Florenz.

Chapters

Table of Contents
Pages
PDF
Title
a-4
Table of Contents
5-6
Sarah Fraser
Acknowledgements
7-10
Mio Wakita, Lianming Wang
Preface: Japanese and Chinese Women across Media
Contexts and Issues
11-47
Sarah Fraser, Yue Sun, Hua Wang
Introduction: Women on Display
Narration and Cross Media Spaces in Seventeenth and Eighteenth-Century Chinese Porcelain
48-130
Performances of the Female Body
Feng He
Theatricality and Trans-Media Motifs in Early Qing Narrative Porcelain
132-144
Clara Tang
Construction of Female Portraits
Gazing into the Interior of Chinese and Japanese Group Photography
145-156
Li Ye
When Women Sat Down
Representation of Women and their Living Quarters in Early Modern China
157-169
Wenzhuo Qiu
When and How the Reclining Figure Appeared in Chinese Visual Culture
A Case Study of a Courtesan Photograph from the Museum für Völkerkunde Dresden
170-183
Ideals Imagined / Visual Topoi of the Imaginary
Yang Zhao
Beauties under Manchu Rule
Chinese Female Attire of the Early Qing Period
187-210
Yizhou Wang
Ten Categories for Beautiful Women in the Ming-Qing-Period
A Trans-Media Study of Porcelain held in the Porzellansammlung, Staatliche Kunstsammlungen Dresden
211-224
Xue Yu
Representing Women
Female Imagery in Qing Society and Decoration on Porcelain in the Staatliche Kunstsammlungen Dresden
225-238
Litong Xiao
The “Mother and Child” Motif in Seventeenth-Nineteenth Century Porcelain and Photography
239-250
Perspectives on Femininity
Shixin Liang
“Japanese Geisha” in Nineteenth-Century Souvenir Photography from the Staatliche Kunstsammlungen Dresden
252-266
Xin Sun
Beauty Collage
Chinese Women in Photography in the Late Nineteenth Century
267-287
Quizi Guo
From Porcelain to Photography
The Transformation of Femininity in the Representation of Chinese Women
288-301
(Dis)continuity of Representation of the Beautiful Woman
Jurgita Rainyte
Dis-continuity of Beauty in Late Nineteenth-Century Chinese Photographs
305-325
Tim Revell
A New Perspective on Transitional Period Chinese Porcelain (1620-1683)
Two Case Studies in the Porzellansammlung, Staatliche Kunstsammlungen Dresden
326-335
Stacey Pierson
Epilogue: Export or Exported? Primary and Secondary Transfer in Seventeenth and Early Eighteenth Century Chinese Porcelain
336-355

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