Kuhl, Adrian

Adrian Kuhl (Ed.), Silke Leopold (Ed.), Dorothea Redepenning (Ed.)

Über das Marionettentheater (hinaus): Musik und Puppen

Based on a symposium, the volume discusses in various contributions the relationship between music and puppet theatre, which has a long and varied history. On the one hand, it focuses on the performance of opera with puppets in the 18th century and musicalised puppet theatre in the middle of the 20th century; on the other hand, the volume takes a look at the integration of puppet themes in the subject, aesthetics and staging of opera with real singers. This focus is complemented by a historical tour of the relationship between puppets and music and a look at the institutionalisation of puppetry in international organisations, using UNIMA and UNESCO as examples.

Sarah-Denise Fabian (Ed.), Rüdiger Thomsen-Fürst (Ed.)

Oper – Südwest: Beiträge zur Geschichte der Oper an den südwestdeutschen Höfen des 18. Jahrhunderts

For Silke Leopold on the occasion of her 70th birthday presented by the staff of the research centre »History of Southwest German Court Music« of the Heidelberg Academy of Sciences.

»Opera – Southwest« illuminates aspects of music theatre, especially at the Southwest German courts of the eighteenth century. New possibilities for the reconstruction of the opera repertoire in Rastatt, Baron Sigismund von Rumling's Musiktheater in Zweibrücken and the special final arrangement of Niccolò Jommellis Didone abbandonata at the Württemberg court, and also the composition process of Johann Adolph Hasse's Dresden operas will be discussed. In addition, three contributions are dedicated to Franz Danzi and his discourse with Wolfgang Amadeus Mozart.