How to Cite
Man sieht nur, was man kennt: Von der Bedeutung und Wahrnehmung archäologischer Objekte in Museen - das Beispiel der "Bremer Kogge", in Eser, Thomas et al. (Eds.): Authentisierung im Museum: Ein Werkstatt-Bericht, Heidelberg: Propylaeum, 2017 (RGZM – Tagungen, Volume 32), p. 113–125. https://doi.org/10.11588/propylaeum.297.c3597
Man sieht nur, was man kennt
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