Modi Operandi in Rubens’s Workshop
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Schmiedlechner, Patricia: Modi Operandi in Rubens’s Workshop: A Study on the Creative Process and Studio Practice, Heidelberg: arthistoricum.net, 2021 (Stuttgarter Akademieschriften, Vol. 3). https://doi.org/10.11588/arthistoricum.828

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Creative Commons License BY-SA 4.0

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ISBN 978-3-948466-95-4 (PDF)
ISBN 978-3-948466-96-1 (Hardcover)

Published 01.07.2021.

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Patricia Schmiedlechner

Modi Operandi in Rubens’s Workshop

A Study on the Creative Process and Studio Practice

Stuttgarter Akademieschriften

Peter Paul Rubens’s extensive œuvre comprises more than 1500 paintings, as well as preparatory material such as drawings and oil sketches. As was customary at the time, the master painter employed a multi-person workshop and his staff and pupils were significantly involved in his artistic output. This collaborative working process complicates the issue of attributing Rubens’s work by today’s standards of single-handed execution.

The publication highlights the procedures of the workshop by examining the socio-historical circumstances and written sources, while the preparatory process was assessed based on the case study of the high altarpiece of the Augustinian Church in Antwerp. The drawings and sketches associated with the creation of this painting were understood not only as evidence of creative processes but also as the results of division of labor and Rubens’s teaching practice.

Contents
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Titelei
Table of Contents
Introduction
Innovation and Art: Antwerp as a Centre of Production and Sale
Individual Style and Workshop Production
Rubens’s Studio
Determining Single-Handedness in Rubens’s Œuvre
Case Study: Madonna Enthroned with Child and Saints
Conclusion
Bibliography
Illustration Credits