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Der Prager Georg im Germanischen Nationalmuseum: Virtuelle 3D-Rekonstruktion – kunsttechnologische Untersuchung – kulturhistorische Einordnung
The meeting of art historians paying a visit to the sculpture of St. Georg on the Exhibition on the Art of the Luxemburger 1979 in Cologne did not enhance further scientific observations in terms of cultural history or art technology. Hence, the historical context of the sculpture’s singularity has remained unquestioned. The polychromy’s virtual reconstruction ends in a survey on both the cultural history and art technology, revealing along with the history on applications on painted figures up to 1400 strong ties to goldsmithing and panel painting in North Italy.